An introduction to opera's voice types (The Royal Opera)
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Kelli Richards interviews Emmy-winning filmmaker Beth Harrington
Superconnector and celebrity wrangler Kelli Richards exclusive interview with Emmy-winning and Grammy-nominated filmmaker Beth Harrington.Visit Kelli’s website (https://kellirichards.com) to sign up to her newsletter.Kelli Richards is a seasoned business development exec in digital media — especially in music tech — and a “swat team” strategist with a strong proven track record in identifying opportunities and driving a vision to life from concept to execution. As a ‘superconnector’ she has established long-term trusted relationships with stakeholders across the ecosystem including mainstream talent, content creators, media execs, tech innovators and leaders, brand execs and investors.
Ae Fond Kiss
by Robert Burns, read by Robert Murray
Pete Wyer - The Sky Beneath Our Feet
I knew I wanted to primarily use a 72-voice choir (or nine choirs of eight voices each) each with a separate speaker, spread over the wide area where there are live oaks. I also knew that I wanted these voices to evoke something of the world of those trees.
Chad LB Virtual Big Band - Giant Steps
Chad LB Virtual Big Band - Giant Steps
Kelli Richards interviews Emmy-winning filmmaker Beth Harrington
Superconnector and celebrity wrangler Kelli Richards exclusive interview with Emmy-winning and Grammy-nominated filmmaker Beth Harrington.Visit Kelli’s website (https://kellirichards.com) to sign up to her newsletter.Kelli Richards is a seasoned business development exec in digital media — especially in music tech — and a “swat team” strategist with a strong proven track record in identifying opportunities and driving a vision to life from concept to execution. As a ‘superconnector’ she has established long-term trusted relationships with stakeholders across the ecosystem including mainstream talent, content creators, media execs, tech innovators and leaders, brand execs and investors.
Pete Wyer - The Sky Beneath Our Feet
I knew I wanted to primarily use a 72-voice choir (or nine choirs of eight voices each) each with a separate speaker, spread over the wide area where there are live oaks. I also knew that I wanted these voices to evoke something of the world of those trees.