Ballet Bun Tutorial
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Come On In My Kitchen, Larkin Poe
Come On In My Kitchen, Larkin Poe
Mary's Song - Daisy Chute
MARY'S SONG from the EP ‘CRADLE SONGS’ by Daisy Chute "Burns Night is a tradition I hold dear, especially as a displaced Scot in London. But every year we gather and recite the same poetry and songs, and I've often wondered about all the Scottish poetry that gets left unread, especially from the female perspective. I wanted to unearth some lesser known poetry so Cradle Songs are settings of the poems I discovered and connected with on my hunt. The poems are about mourning (Mary Queen of Scots's Melancholy Air), unrequited love (Marion Angus's Mary's Song), and motherhood (Carolina Oliphant's Cradle Song), and span from the 16th to the 20th Century." ‘Cradle Songs’ featuring 'Mary's Song' released 28 January 2022.
I Got Rhythm for Woodwind Quintet
Arrangement available upon request at collin.findlay@gmail.com!
Pete Wyer - The Sky Beneath Our Feet
I knew I wanted to primarily use a 72-voice choir (or nine choirs of eight voices each) each with a separate speaker, spread over the wide area where there are live oaks. I also knew that I wanted these voices to evoke something of the world of those trees.
Mary's Song - Daisy Chute
MARY'S SONG from the EP ‘CRADLE SONGS’ by Daisy Chute "Burns Night is a tradition I hold dear, especially as a displaced Scot in London. But every year we gather and recite the same poetry and songs, and I've often wondered about all the Scottish poetry that gets left unread, especially from the female perspective. I wanted to unearth some lesser known poetry so Cradle Songs are settings of the poems I discovered and connected with on my hunt. The poems are about mourning (Mary Queen of Scots's Melancholy Air), unrequited love (Marion Angus's Mary's Song), and motherhood (Carolina Oliphant's Cradle Song), and span from the 16th to the 20th Century." ‘Cradle Songs’ featuring 'Mary's Song' released 28 January 2022.
Pete Wyer - The Sky Beneath Our Feet
I knew I wanted to primarily use a 72-voice choir (or nine choirs of eight voices each) each with a separate speaker, spread over the wide area where there are live oaks. I also knew that I wanted these voices to evoke something of the world of those trees.