Ballet Music - Full Class (Barre)
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Here is our music for Full Ballet Class - no need to stop in between your exercises! 1. Plie (3/4) 2. Tendu (4/4) 3. Jete (2/4) 4. Rond de Jambe (3/4) 5. Fondu (2/4) - tango 6. Frappe (2/4) 7. Adagio (3/4) 8. Grand Battement (2/4) #balletclassmusic #balletmusic #battementpiano #fullbarreclass
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Unconditionality - Kissing The Flint
Written by Australian singer-songwriter Leah Chynoweth-Tidy, Unconditionality is the title track of Kissing The Flint's debut EP, released in 2019. Unconditionality is a word that summarises a positive regard ethic - in everything we do in life, we should accept others for who they are and not seek to bend them - and we should be treated, unconditionally in everything, the same way too.
Steve Dalachinsky and The Snobs - Echo System
With three musical suites divided in eight poetic segments, ec(H)o - system is the sound of mutual listening and trust between Steve Dalachinsky and The Snobs. Different from what they have done before, together or separately, the record is once again released by Bam Balam Records, with a cover art by Yuko Otomo (poet and painter) and a booklet (44 pages) containing all Dalachinsky’s poems used for the record and a selection of his collages.
Unconditionality - Kissing The Flint
Written by Australian singer-songwriter Leah Chynoweth-Tidy, Unconditionality is the title track of Kissing The Flint's debut EP, released in 2019. Unconditionality is a word that summarises a positive regard ethic - in everything we do in life, we should accept others for who they are and not seek to bend them - and we should be treated, unconditionally in everything, the same way too.
Steve Dalachinsky and The Snobs - Echo System
With three musical suites divided in eight poetic segments, ec(H)o - system is the sound of mutual listening and trust between Steve Dalachinsky and The Snobs. Different from what they have done before, together or separately, the record is once again released by Bam Balam Records, with a cover art by Yuko Otomo (poet and painter) and a booklet (44 pages) containing all Dalachinsky’s poems used for the record and a selection of his collages.