Ballet Shoes Made For Brown-Skinned Ballerinas
12 votes
INSIDER on Facebook: https://insder.co/2NyYczE INSIDER on Instagram: https://insder.co/2K8WGS0 INSIDER on Twitter: https://insder.co/2xyN5wE INSIDER on Snapchat: https://insder.co/2KJLtVo INSIDER on Amazon Prime: https://insder.co/PrimeVideo INSIDER on TikTok: https://www.tiktok.com/@insider INSIDER on Dailymotion: https://insder.co/2vmKnZv
Try This
Get Loose
Lennox Campbell AKA Manifest Productions is a Song Writer, Composer, Engineer and Composer from South East London. For the last 30 years he has been in the music industry, creating all kinds of genres, mainly a mix of Jazz, Soul, Reggae and Pop. His label, 'Ghetto Born But Raised' currently holds 18 tracks, all of which are available on Jeeni.His influences are what he grew up listening to from the 70's to the early 90's, harboring lyrics on topics that bother him and his friend/singer J Wills. This is mainly the voice of struggle, injustice and corruption. Their groove is a true fusion of life growing up in England.
African Chant - Garrett Jones
All of these takes were done with me holding the microphone like a dynamic junk stage mic... it was late and I didn't think I'd make a whole project but decided to go for it. Definitely rough, a good bit of reverb and effects added on the tracks to beef up the sound, but absolutely no pitch correction at all.
Get Loose
Lennox Campbell AKA Manifest Productions is a Song Writer, Composer, Engineer and Composer from South East London. For the last 30 years he has been in the music industry, creating all kinds of genres, mainly a mix of Jazz, Soul, Reggae and Pop. His label, 'Ghetto Born But Raised' currently holds 18 tracks, all of which are available on Jeeni.His influences are what he grew up listening to from the 70's to the early 90's, harboring lyrics on topics that bother him and his friend/singer J Wills. This is mainly the voice of struggle, injustice and corruption. Their groove is a true fusion of life growing up in England.
African Chant - Garrett Jones
All of these takes were done with me holding the microphone like a dynamic junk stage mic... it was late and I didn't think I'd make a whole project but decided to go for it. Definitely rough, a good bit of reverb and effects added on the tracks to beef up the sound, but absolutely no pitch correction at all.