D-LOW- FREESTYLE
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016 UK Beatbox Champion D-LOW showing us why he's the best at what he does!
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Scene 13 In the Wilderness
[ditty_news_ticker id="21103"][ditty_news_ticker id="20176"]Inspired by life on Spring Street, Manhattan - setting the poetry of Steve Dalachinsky and Yuko Otomo to music by Pete Wyer.Exclusive world premier, full performance here Saturday 24th July 2021. HEDAY INOUE is The Caretaker - enjoy his Jeeni Showcase HEREJOY TAMAYO is The Optimist - enjoy her Jeeni Showcase HEREMAREN MONTALBANO is The Watcher - enjoy her Jeeni Showcase HEREPETE WYER is The Composer - enjoy his Jeeni Showcase HEREMATT GRAY is The Film Director - enjoy his Jeeni Showcase HERESTEVE DALACHINSKY is The Poet - enjoy his Jeeni Showcase HEREYUKO OTOMO is The Poet - enjoy her Jeeni Showcase HEREJoy Tamayo, soprano Maren Montalbano, mezzo soprano Heday Inoue, bass baritone Maria Grigoryeva, violins Vladimir Stoletov, viola Lyudmila Kadyrbaeva, cello Pete M Wyer guitar, bass, keyboard Josh Plotner, saxes Bobby Previte, drums Spring Street film (2021), Matt Gray Original film (1996), Norbert Nowotsch Film edit, Pete M. Wyer Music Direction, Mila Henry Studio Music Supervision, Daniel Lazour Recorded at Eastside Sound, New York, Three Horses Studio, New York Mixed at Press Play, London Libretto Poems, Steve Dalachinsky and Yuko Otomo Spring Street Opera by Pete Wyer
Scottish Traditions of Halloween: The Extremis Publishing Podcast
Author Robert Murray drops in for a spirited discussion about the history of Halloween, and the various ways in which Scottish culture - and a certain poet named Robert Burns - helped to shape the modern day customs which surround the season. This podcast is Copyright © Extremis Publishing Ltd., all rights reserved.
Giulio Taccon -
if you want to download this song and maybe support me you can click here: https://ciulio.bandcamp.com/ (there's also a bonus intro there) Follow me on... Twitter: @giuliotaccon Instagram: @sonogiulio (I love taking photos...)
Woodwind Quintet No.1 (My Original Work, Whole Piece Version)
This piece was written as a contemporary music (the 1st and 3rd movement may be too old-school). Interestingly my composing sequence is ‘1st movement, then 3rd and 2nd’.So you may hear something completely new in the 2nd movement. Also the relationship between 1st and 3rd movement becomes closer.
Scene 13 In the Wilderness
[ditty_news_ticker id="21103"][ditty_news_ticker id="20176"]Inspired by life on Spring Street, Manhattan - setting the poetry of Steve Dalachinsky and Yuko Otomo to music by Pete Wyer.Exclusive world premier, full performance here Saturday 24th July 2021. HEDAY INOUE is The Caretaker - enjoy his Jeeni Showcase HEREJOY TAMAYO is The Optimist - enjoy her Jeeni Showcase HEREMAREN MONTALBANO is The Watcher - enjoy her Jeeni Showcase HEREPETE WYER is The Composer - enjoy his Jeeni Showcase HEREMATT GRAY is The Film Director - enjoy his Jeeni Showcase HERESTEVE DALACHINSKY is The Poet - enjoy his Jeeni Showcase HEREYUKO OTOMO is The Poet - enjoy her Jeeni Showcase HEREJoy Tamayo, soprano Maren Montalbano, mezzo soprano Heday Inoue, bass baritone Maria Grigoryeva, violins Vladimir Stoletov, viola Lyudmila Kadyrbaeva, cello Pete M Wyer guitar, bass, keyboard Josh Plotner, saxes Bobby Previte, drums Spring Street film (2021), Matt Gray Original film (1996), Norbert Nowotsch Film edit, Pete M. Wyer Music Direction, Mila Henry Studio Music Supervision, Daniel Lazour Recorded at Eastside Sound, New York, Three Horses Studio, New York Mixed at Press Play, London Libretto Poems, Steve Dalachinsky and Yuko Otomo Spring Street Opera by Pete Wyer
Scottish Traditions of Halloween: The Extremis Publishing Podcast
Author Robert Murray drops in for a spirited discussion about the history of Halloween, and the various ways in which Scottish culture - and a certain poet named Robert Burns - helped to shape the modern day customs which surround the season. This podcast is Copyright © Extremis Publishing Ltd., all rights reserved.
Woodwind Quintet No.1 (My Original Work, Whole Piece Version)
This piece was written as a contemporary music (the 1st and 3rd movement may be too old-school). Interestingly my composing sequence is ‘1st movement, then 3rd and 2nd’.So you may hear something completely new in the 2nd movement. Also the relationship between 1st and 3rd movement becomes closer.