Excerpts from The Robin Hood 500 Route (Part 4)
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In this section: Robin Hood's StoopExcerpts from "The Robin Hood 500 Route" by Neil HallamIn this book, Robin Hood enthusiast Neil Hallam invites you to join him on the trip of a lifetime as he travels around some of the most scenic locations in England searching for the facts behind this famous yet inscrutable outlaw. His travels take him far beyond busy Nottingham and Sherwood Forest to the village of Robin Hood, the bucolic hamlet of Loxley, charming Whitby and the beautiful Robin Hood’s Bay, via a plethora of caves, coves, churches, crags and castles just waiting to be discovered along the way. Drawing on historical research, national folklore and local legend, Neil pieces together a fascinating and entertaining tapestry of swashbuckling adventures, intriguing mysteries and ancient curiosities which will make you want to visit each and every amazing location for yourself."The Robin Hood 500 Route" is Copyright ©2023 Neil Hallam, all rights reserved, and is published by Extremis Publishing Ltd.The Official Robin Hood 500 Route Website can be found at: www.500rh.co.uk.This title is available as a physical book from www.extremispublishing.com and all good online retailers and independent booksellers worldwide.
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Melancholy Air - Daisy Chute
MELANCHOLY AIR from the EP ‘CRADLE SONGS’ by Daisy Chute "Burns Night is a tradition I hold dear, especially as a displaced Scot in London. But every year we gather and recite the same poetry and songs, and I've often wondered about all the Scottish poetry that gets left unread, especially from the female perspective. I wanted to unearth some lesser known poetry so Cradle Songs are settings of the poems I discovered and connected with on my hunt. The poems are about mourning (Mary Queen of Scots's Melancholy Air), unrequited love (Marion Angus's Mary's Song), and motherhood (Carolina Oliphant's Cradle Song), and span from the 16th to the 20th Century." ‘Cradle Songs’ featuring 'Melancholy Air' released 28 January 2022.
Shutterdog - The Felling
Shutterdog emerged in 2018 – a fresh 5-piece filled with future-soul swagger. Fronted by the honeyed voice of Amy Greed and crowned by duelling funk guitars, theirs is a high energy brand of groove with a message.By using aspects of Arabic, Afro-Cuban, and Indian music in a western songwriting context, Shutterdog provides a crucial first step for listeners to begin exploring other cultures. Led by vocalist and multi-instrumentalist Matt Nobile who served as the lead vocalist and principal songwriter for the world music band Datura Road from 2015 to 2020. The band’s diverse repertoire meant often switching between the guitar, oud, and penny-whistle within a single set of music.
Melancholy Air - Daisy Chute
MELANCHOLY AIR from the EP ‘CRADLE SONGS’ by Daisy Chute "Burns Night is a tradition I hold dear, especially as a displaced Scot in London. But every year we gather and recite the same poetry and songs, and I've often wondered about all the Scottish poetry that gets left unread, especially from the female perspective. I wanted to unearth some lesser known poetry so Cradle Songs are settings of the poems I discovered and connected with on my hunt. The poems are about mourning (Mary Queen of Scots's Melancholy Air), unrequited love (Marion Angus's Mary's Song), and motherhood (Carolina Oliphant's Cradle Song), and span from the 16th to the 20th Century." ‘Cradle Songs’ featuring 'Melancholy Air' released 28 January 2022.
Shutterdog - The Felling
Shutterdog emerged in 2018 – a fresh 5-piece filled with future-soul swagger. Fronted by the honeyed voice of Amy Greed and crowned by duelling funk guitars, theirs is a high energy brand of groove with a message.By using aspects of Arabic, Afro-Cuban, and Indian music in a western songwriting context, Shutterdog provides a crucial first step for listeners to begin exploring other cultures. Led by vocalist and multi-instrumentalist Matt Nobile who served as the lead vocalist and principal songwriter for the world music band Datura Road from 2015 to 2020. The band’s diverse repertoire meant often switching between the guitar, oud, and penny-whistle within a single set of music.