Gotta Kick It (Outsider Music) - Giack Bazz
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Outsider Music (Gotta Kick It) is Giack Bazz's latest single. Arranged and produced by Deborah Verrascina and Sebastian Papa (The Royalty Instrumentality Project) provides the drums. It's about finding it hard to give up on things. The title hints at the subgenre of misunderstood artists the likes of Daniel Johnston and Don Van Vliet.Giack Bazz is an explosive, relentless multi-instrumentalist songwriter based in London.The artist started igniting stages with his painfully honest lyrics and his screaming telecaster in 2015. He has since released three solo albums that were critically acclaimed (Blowup magazine, Decade, Rumore).Released: 4th March, 2022
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Featuring Ryoko Ono on saxophone. CD on BAM BALAM Records BBCD078Steve Dalachinsky - poemRG Rough - music
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[ditty_news_ticker id="21103"][ditty_news_ticker id="20176"]Inspired by life on Spring Street, Manhattan - setting the poetry of Steve Dalachinsky and Yuko Otomo to music by Pete Wyer.Exclusive world premier, full performance here Saturday 24th July 2021. HEDAY INOUE is The Caretaker - enjoy his Jeeni Showcase HEREJOY TAMAYO is The Optimist - enjoy her Jeeni Showcase HEREMAREN MONTALBANO is The Watcher - enjoy her Jeeni Showcase HEREPETE WYER is The Composer - enjoy his Jeeni Showcase HEREMATT GRAY is The Film Director - enjoy his Jeeni Showcase HERESTEVE DALACHINSKY is The Poet - enjoy his Jeeni Showcase HEREYUKO OTOMO is The Poet - enjoy her Jeeni Showcase HEREJoy Tamayo, soprano Maren Montalbano, mezzo soprano Heday Inoue, bass baritone Maria Grigoryeva, violins Vladimir Stoletov, viola Lyudmila Kadyrbaeva, cello Pete M Wyer guitar, bass, keyboard Josh Plotner, saxes Bobby Previte, drums Spring Street film (2021), Matt Gray Original film (1996), Norbert Nowotsch Film edit, Pete M. Wyer Music Direction, Mila Henry Studio Music Supervision, Daniel Lazour Recorded at Eastside Sound, New York, Three Horses Studio, New York Mixed at Press Play, London Libretto Poems, Steve Dalachinsky and Yuko Otomo Spring Street Opera by Pete Wyer
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Scene 8 Dark Medieval Days
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