Luke Leverett - “Bring Myself To Light”
54 votes
One of my tunes. Kind of a mystic folk rock in a style I think inspired by 1970s folkish Laurel Canyon type stuff. Trying to push that feel into a spiritual direction. Doing the song on my nylon string acoustic, which is basically a classical guitar but with a dreadnought style body.
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Rooftop Jive, by Lisa and Hannes
Rooftop Jive, by Lisa and Hannes
Who Knew - Daisy Chute -Window Sessions IV
It’s the first original song in the series and is called “Who Knew”. It's a solo banjo and voice and was recorded direct to tape at the brilliant brand new analogue Studio Silo in East Iceland.Here are the lyrics: You were only looking at me looking back at you Now you’re lonely, wondering ‘bout me wondering ‘bout you too And you don’t see, how you hurt me, what you didn’t do So I won’t be, who you come see when the day is through, Who knew? And I pray you’ll find someone to worship you And I hope that you’ll love her the way that she’ll love you I do
Relentless, by Jim Redmond
This is an original song I wrote from a drummers perspective. I had just bought my new "Pearl Eliminator Demon Direct Drive Pedals", and "Footblaster" Bass Drum Triggers. This is my first studio song I recorded using them. Double Stroke technique from 2:34 -3:14. Recorded at "Boho" Studio's Salt Lake City,Utah by Bruce Kirby. Jared Johnson-Guitars,Bass. Jim Redmond Drums.
Mary's Song - Daisy Chute
MARY'S SONG from the EP ‘CRADLE SONGS’ by Daisy Chute "Burns Night is a tradition I hold dear, especially as a displaced Scot in London. But every year we gather and recite the same poetry and songs, and I've often wondered about all the Scottish poetry that gets left unread, especially from the female perspective. I wanted to unearth some lesser known poetry so Cradle Songs are settings of the poems I discovered and connected with on my hunt. The poems are about mourning (Mary Queen of Scots's Melancholy Air), unrequited love (Marion Angus's Mary's Song), and motherhood (Carolina Oliphant's Cradle Song), and span from the 16th to the 20th Century." ‘Cradle Songs’ featuring 'Mary's Song' released 28 January 2022.
Who Knew - Daisy Chute -Window Sessions IV
It’s the first original song in the series and is called “Who Knew”. It's a solo banjo and voice and was recorded direct to tape at the brilliant brand new analogue Studio Silo in East Iceland.Here are the lyrics: You were only looking at me looking back at you Now you’re lonely, wondering ‘bout me wondering ‘bout you too And you don’t see, how you hurt me, what you didn’t do So I won’t be, who you come see when the day is through, Who knew? And I pray you’ll find someone to worship you And I hope that you’ll love her the way that she’ll love you I do
Relentless, by Jim Redmond
This is an original song I wrote from a drummers perspective. I had just bought my new "Pearl Eliminator Demon Direct Drive Pedals", and "Footblaster" Bass Drum Triggers. This is my first studio song I recorded using them. Double Stroke technique from 2:34 -3:14. Recorded at "Boho" Studio's Salt Lake City,Utah by Bruce Kirby. Jared Johnson-Guitars,Bass. Jim Redmond Drums.
Mary's Song - Daisy Chute
MARY'S SONG from the EP ‘CRADLE SONGS’ by Daisy Chute "Burns Night is a tradition I hold dear, especially as a displaced Scot in London. But every year we gather and recite the same poetry and songs, and I've often wondered about all the Scottish poetry that gets left unread, especially from the female perspective. I wanted to unearth some lesser known poetry so Cradle Songs are settings of the poems I discovered and connected with on my hunt. The poems are about mourning (Mary Queen of Scots's Melancholy Air), unrequited love (Marion Angus's Mary's Song), and motherhood (Carolina Oliphant's Cradle Song), and span from the 16th to the 20th Century." ‘Cradle Songs’ featuring 'Mary's Song' released 28 January 2022.