Nigel Tamchin - "It Don't Mean a Thing"
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Written and performed by Nigel K. TamchinAugust 2010
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Cultivated Earth - The Day of the Rabblement
Amazing band - The Day of the Rabblement performing their original song 'Cultivated Earth' on guitars and acoustics.When the band released this song, The Day of the Rabblement were playing more acoustic and folk style music which involved a lot of guitars and mighty instruments as well as Khaleda Brophy-Harmer's leading voice in that same folksy style.Danny Harmer - Accordion and vocalsMac Brown - Lead guitar and vocalsSean Brophy - Bass guitar and vocalsRob Purkiss - Drums and vocals
Steve Dalachinsky and The Snobs - Echo System
With three musical suites divided in eight poetic segments, ec(H)o - system is the sound of mutual listening and trust between Steve Dalachinsky and The Snobs. Different from what they have done before, together or separately, the record is once again released by Bam Balam Records, with a cover art by Yuko Otomo (poet and painter) and a booklet (44 pages) containing all Dalachinsky’s poems used for the record and a selection of his collages.
Cultivated Earth - The Day of the Rabblement
Amazing band - The Day of the Rabblement performing their original song 'Cultivated Earth' on guitars and acoustics.When the band released this song, The Day of the Rabblement were playing more acoustic and folk style music which involved a lot of guitars and mighty instruments as well as Khaleda Brophy-Harmer's leading voice in that same folksy style.Danny Harmer - Accordion and vocalsMac Brown - Lead guitar and vocalsSean Brophy - Bass guitar and vocalsRob Purkiss - Drums and vocals
Steve Dalachinsky and The Snobs - Echo System
With three musical suites divided in eight poetic segments, ec(H)o - system is the sound of mutual listening and trust between Steve Dalachinsky and The Snobs. Different from what they have done before, together or separately, the record is once again released by Bam Balam Records, with a cover art by Yuko Otomo (poet and painter) and a booklet (44 pages) containing all Dalachinsky’s poems used for the record and a selection of his collages.