Owen Denvir - Green Light
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Owen Denvir's new single 'Green Light' is OUT NOW

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Welcome to Extremis Publishing
01:25
Welcome to Extremis Publishing

A warm welcome from Jeeni's audiobook partners

Exorcism, by Rania Masiskli
04:27
Exorcism, by Rania Masiskli

official music video

I Won't Look Back - Kissing The Flint
03:19
I Won't Look Back - Kissing The Flint

I Won't Look Back is a honky tonk number written by Australian singer-songwriter Leah Chynoweth-Tidy aka Kissing The Flint.  A song about a girl taking back control of her love life and telling her man she's walking down the road if he doesn't start to treat her right!  Official Music video was funded through the Regional Arts Development Fund (RADF) in Queensland, Australia - it was filmed by Wezzy Cruze and released in 2019 and can be enjoyed on Kissing The Flint's Youtube channel.

Pete Wyer - The Sky Beneath Our Feet
02:52
Pete Wyer - The Sky Beneath Our Feet

I knew I wanted to primarily use a 72-voice choir (or nine choirs of eight voices each) each with a separate speaker, spread over the wide area where there are live oaks. I also knew that I wanted these voices to evoke something of the world of those trees.

Welcome to Extremis Publishing
01:25
Welcome to Extremis Publishing

A warm welcome from Jeeni's audiobook partners


Exorcism, by Rania Masiskli
04:27
Exorcism, by Rania Masiskli

official music video


I Won't Look Back - Kissing The Flint
03:19
I Won't Look Back - Kissing The Flint

I Won't Look Back is a honky tonk number written by Australian singer-songwriter Leah Chynoweth-Tidy aka Kissing The Flint.  A song about a girl taking back control of her love life and telling her man she's walking down the road if he doesn't start to treat her right!  Official Music video was funded through the Regional Arts Development Fund (RADF) in Queensland, Australia - it was filmed by Wezzy Cruze and released in 2019 and can be enjoyed on Kissing The Flint's Youtube channel.


Pete Wyer - The Sky Beneath Our Feet
02:52
Pete Wyer - The Sky Beneath Our Feet

I knew I wanted to primarily use a 72-voice choir (or nine choirs of eight voices each) each with a separate speaker, spread over the wide area where there are live oaks. I also knew that I wanted these voices to evoke something of the world of those trees.