Random Dander - Sideways Sunset
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Random Dander - Sideways Sunset

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Crazy in Lust by Barrel Dawg
03:16
Crazy in Lust by Barrel Dawg

Crazy in Lust by Barrel DawgA Barrel Dawg original song about falling in lust! It has a bit of country with a touch of blues. Recorded at ShoeHorse Studios Beechwood.

On The Day Of Brid - The Heartsong Project
05:25
On The Day Of Brid - The Heartsong Project

Recorded in Co. Clare, Ireland, by John Bowker of The Heartsong Project, the vocals are by Brid Cusack, Caitriona O’Sullivan and John Bowker.

Christopher Hamilton & Mary Evans -
03:44
Christopher Hamilton & Mary Evans -

An original comedy song by Christopher Hamilton and Mary Evans about social media sung by Shimi Goodman and Christopher Hamilton at the Pheasantry, London

Woodwind Quintet No.1 (My Original Work, Whole Piece Version)
10:39
Woodwind Quintet No.1 (My Original Work, Whole Piece Version)

This piece was written as a contemporary music (the 1st and 3rd movement may be too old-school). Interestingly my composing sequence is ‘1st movement, then 3rd and 2nd’.So you may hear something completely new in the 2nd movement. Also the relationship between 1st and 3rd movement becomes closer.

Crazy in Lust by Barrel Dawg
03:16
Crazy in Lust by Barrel Dawg

Crazy in Lust by Barrel DawgA Barrel Dawg original song about falling in lust! It has a bit of country with a touch of blues. Recorded at ShoeHorse Studios Beechwood.


On The Day Of Brid - The Heartsong Project
05:25
On The Day Of Brid - The Heartsong Project

Recorded in Co. Clare, Ireland, by John Bowker of The Heartsong Project, the vocals are by Brid Cusack, Caitriona O’Sullivan and John Bowker.


Christopher Hamilton & Mary Evans -
03:44
Christopher Hamilton & Mary Evans -

An original comedy song by Christopher Hamilton and Mary Evans about social media sung by Shimi Goodman and Christopher Hamilton at the Pheasantry, London


Woodwind Quintet No.1 (My Original Work, Whole Piece Version)
10:39
Woodwind Quintet No.1 (My Original Work, Whole Piece Version)

This piece was written as a contemporary music (the 1st and 3rd movement may be too old-school). Interestingly my composing sequence is ‘1st movement, then 3rd and 2nd’.So you may hear something completely new in the 2nd movement. Also the relationship between 1st and 3rd movement becomes closer.