Short Stories Online!
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Chizuko - Time Flies (feat. LeeRoy the Innovator)
03:19
Chizuko - Time Flies (feat. LeeRoy the Innovator)

Check out my new single Time Flies with LeeRoy the Innovator! Out Everywhere! Go stream, stream, stream!! ? Songwriter 1: Caretha Chizuko Richardson (Chizuko) Songwriter 2: LeeRoy Richardson (LeeRoy the Innovator) Producer: Ari Carpenter (Stari) Percussion: Oliver Cooper (Oli Cooper)

Hank Osasuna - Everybody's a Comedian
00:24
Hank Osasuna - Everybody's a Comedian

Hank Osasuna - Everybody's a Comedian

Inside Story: Aleah Mo interview
06:05
Inside Story: Aleah Mo interview

Kate Stewart interviews dancer and choreographer Aleah Mo about her World Champion status and working with Jeeni.

Woodwind Quintet No.1 (My Original Work, Whole Piece Version)
10:39
Woodwind Quintet No.1 (My Original Work, Whole Piece Version)

This piece was written as a contemporary music (the 1st and 3rd movement may be too old-school). Interestingly my composing sequence is ‘1st movement, then 3rd and 2nd’.So you may hear something completely new in the 2nd movement. Also the relationship between 1st and 3rd movement becomes closer.

Chizuko - Time Flies (feat. LeeRoy the Innovator)
03:19
Chizuko - Time Flies (feat. LeeRoy the Innovator)

Check out my new single Time Flies with LeeRoy the Innovator! Out Everywhere! Go stream, stream, stream!! ? Songwriter 1: Caretha Chizuko Richardson (Chizuko) Songwriter 2: LeeRoy Richardson (LeeRoy the Innovator) Producer: Ari Carpenter (Stari) Percussion: Oliver Cooper (Oli Cooper)


Hank Osasuna - Everybody's a Comedian
00:24
Hank Osasuna - Everybody's a Comedian

Hank Osasuna - Everybody's a Comedian


Inside Story: Aleah Mo interview
06:05
Inside Story: Aleah Mo interview

Kate Stewart interviews dancer and choreographer Aleah Mo about her World Champion status and working with Jeeni.


Woodwind Quintet No.1 (My Original Work, Whole Piece Version)
10:39
Woodwind Quintet No.1 (My Original Work, Whole Piece Version)

This piece was written as a contemporary music (the 1st and 3rd movement may be too old-school). Interestingly my composing sequence is ‘1st movement, then 3rd and 2nd’.So you may hear something completely new in the 2nd movement. Also the relationship between 1st and 3rd movement becomes closer.