Steve Dalachinsky - "What Were the '60s REALLY Like?"
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Mitch Corber: VideographerK: Host. Ellen Mandel: Piano/VocalsPerformers in order of appearance: Steve Dalachinsky; Eve Packer; Richard West; Ptr Kozlowski; Mireya Perez; David Elsasser; Tsaurah Litzky; Davidson Garrett.
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The Haunted Mind (I Can See It) - Original Rock Song
Download the mp3 here: http://www.galtmusic.com/mp3/download...
Shutterdog - The Felling
Shutterdog emerged in 2018 – a fresh 5-piece filled with future-soul swagger. Fronted by the honeyed voice of Amy Greed and crowned by duelling funk guitars, theirs is a high energy brand of groove with a message.By using aspects of Arabic, Afro-Cuban, and Indian music in a western songwriting context, Shutterdog provides a crucial first step for listeners to begin exploring other cultures. Led by vocalist and multi-instrumentalist Matt Nobile who served as the lead vocalist and principal songwriter for the world music band Datura Road from 2015 to 2020. The band’s diverse repertoire meant often switching between the guitar, oud, and penny-whistle within a single set of music.
Inside Story - the making of Wat A Ting
Zeeteah Massiah, the inside story on making her new album Wat A Ting
This Race Called Life - a beautiful inspirational short-story
Hi everybody i write and speak most of the speeches myself, so if you need some material or want to do some sort of collaboration,feel free to contact me : kori.sarian@hotmail.com
Shutterdog - The Felling
Shutterdog emerged in 2018 – a fresh 5-piece filled with future-soul swagger. Fronted by the honeyed voice of Amy Greed and crowned by duelling funk guitars, theirs is a high energy brand of groove with a message.By using aspects of Arabic, Afro-Cuban, and Indian music in a western songwriting context, Shutterdog provides a crucial first step for listeners to begin exploring other cultures. Led by vocalist and multi-instrumentalist Matt Nobile who served as the lead vocalist and principal songwriter for the world music band Datura Road from 2015 to 2020. The band’s diverse repertoire meant often switching between the guitar, oud, and penny-whistle within a single set of music.