Sun Outside - MazeyJune and Big Frank
66 votes
Sun Outside is a collaboration by London based artists MazeyJune and Big Frank. The pair met at music college in Cornwall, and have been honing their sound since. Their first single together features a Hip Hop style instrumental with MazeyJune’s lush vocal textures. Watch out for more music from the duo.'Sun Outside' released 15 February 2022.
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GREGORY HARRINGTON - Oblivion
Oblivion by Astor Piazzolla, arranged by Gregory HarringtonDirector & Editor: Michael Robayo AD + Cinematographer: Stanley Rojas Production: Site B Studios Studio: Triskelion Arts Center Audio by The Cutting Room, Mastered at the Bakery LA. Produced by Chris Montgomery ; Mixed by Steve Genewick Video: Simon Mulligan (piano), Leon Boykins (bass) Sean Mullins (drums) Styling: Christo Fifth Avenue Makeup: Keila Rivera - @Keilamakeup Audio: Simon Mulligan (piano), Leon Boykins (bass) Matt Scarano (drums)
Robert - Better Times
I present to you the new EDM song “Better Times“ that I have been creating over the past few days. Don't forget like, comment, share and subscribe my channel!
Falling, by OWSAKA
African Chant - Garrett Jones
All of these takes were done with me holding the microphone like a dynamic junk stage mic... it was late and I didn't think I'd make a whole project but decided to go for it. Definitely rough, a good bit of reverb and effects added on the tracks to beef up the sound, but absolutely no pitch correction at all.
GREGORY HARRINGTON - Oblivion
Oblivion by Astor Piazzolla, arranged by Gregory HarringtonDirector & Editor: Michael Robayo AD + Cinematographer: Stanley Rojas Production: Site B Studios Studio: Triskelion Arts Center Audio by The Cutting Room, Mastered at the Bakery LA. Produced by Chris Montgomery ; Mixed by Steve Genewick Video: Simon Mulligan (piano), Leon Boykins (bass) Sean Mullins (drums) Styling: Christo Fifth Avenue Makeup: Keila Rivera - @Keilamakeup Audio: Simon Mulligan (piano), Leon Boykins (bass) Matt Scarano (drums)
African Chant - Garrett Jones
All of these takes were done with me holding the microphone like a dynamic junk stage mic... it was late and I didn't think I'd make a whole project but decided to go for it. Definitely rough, a good bit of reverb and effects added on the tracks to beef up the sound, but absolutely no pitch correction at all.