Tap Dance On The Pier
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Direction/Choreography by Geoffrey Goldberg @geoffreywithag Starring Danny Gardner and Geoffrey Goldberg Videography by Ahren von Aschwege Editing by Geoffrey Goldberg
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Give Thanks for the NHS - Daisy Chute and Friends
Daisy ChuteGive Thanks by Daisy Chute Recorded live during lockdown April 2020 by musicians living in the UK and USA.For this live arrangement, there is a newly-written verse to thank the NHS and key workers during the COVID-19 crisis. Musicians: Cerian Holland Harp / Vocals Charlotte Campbell Guitar / Vocals Christopher Parker Electric Guitar / Mixing Daisy Chute Banjo / Vocals Elena Gulia Ukulele / Vocals Elizabeth Hunter Vocals Greg Bishop Percussion / Vocals Kerenza Peacock Violin / Vocals Lisa Ritchie Guitar / Vocals Meg Ella Vocals Midori Jaeger Cello / Vocals Tim Baxter Piano Vin Goodwin Vocals Will Collier Double Bass
Pete Wyer - The Sky Beneath Our Feet
I knew I wanted to primarily use a 72-voice choir (or nine choirs of eight voices each) each with a separate speaker, spread over the wide area where there are live oaks. I also knew that I wanted these voices to evoke something of the world of those trees.
Give Thanks for the NHS - Daisy Chute and Friends
Daisy ChuteGive Thanks by Daisy Chute Recorded live during lockdown April 2020 by musicians living in the UK and USA.For this live arrangement, there is a newly-written verse to thank the NHS and key workers during the COVID-19 crisis. Musicians: Cerian Holland Harp / Vocals Charlotte Campbell Guitar / Vocals Christopher Parker Electric Guitar / Mixing Daisy Chute Banjo / Vocals Elena Gulia Ukulele / Vocals Elizabeth Hunter Vocals Greg Bishop Percussion / Vocals Kerenza Peacock Violin / Vocals Lisa Ritchie Guitar / Vocals Meg Ella Vocals Midori Jaeger Cello / Vocals Tim Baxter Piano Vin Goodwin Vocals Will Collier Double Bass
Pete Wyer - The Sky Beneath Our Feet
I knew I wanted to primarily use a 72-voice choir (or nine choirs of eight voices each) each with a separate speaker, spread over the wide area where there are live oaks. I also knew that I wanted these voices to evoke something of the world of those trees.