THE BALLAD OF STAYING IN - Mel Quinn Lockdown
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A song I wrote in lockdown.... facebook: Mel Quinn Instagram: @melquinnmusic Twitter: @MelanieDQuinn
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Give Thanks for the NHS - Daisy Chute and Friends
Daisy Chute Give Thanks by Daisy Chute Recorded live during lockdown April 2020 by musicians living in the UK and USA. For this live arrangement, there is a newly-written verse to thank the NHS and key workers during the COVID-19 crisis. Musicians: Cerian Holland Harp / Vocals Charlotte Campbell Guitar / Vocals Christopher Parker Electric Guitar / Mixing Daisy Chute Banjo / Vocals Elena Gulia Ukulele / Vocals Elizabeth Hunter Vocals Greg Bishop Percussion / Vocals Kerenza Peacock Violin / Vocals Lisa Ritchie Guitar / Vocals Meg Ella Vocals Midori Jaeger Cello / Vocals Tim Baxter Piano Vin Goodwin Vocals Will Collier Double Bass
Sinner Song - Jesus Hooligan
Rumblefish Legacy
African Chant - Garrett Jones
All of these takes were done with me holding the microphone like a dynamic junk stage mic... it was late and I didn't think I'd make a whole project but decided to go for it. Definitely rough, a good bit of reverb and effects added on the tracks to beef up the sound, but absolutely no pitch correction at all.
Daddy Stovepipe plays Blues In The Bottle
Daddy Stovepipe plays Blues In The Bottle - Fingerpicking Blues Ukulele
Give Thanks for the NHS - Daisy Chute and Friends
Daisy Chute Give Thanks by Daisy Chute Recorded live during lockdown April 2020 by musicians living in the UK and USA. For this live arrangement, there is a newly-written verse to thank the NHS and key workers during the COVID-19 crisis. Musicians: Cerian Holland Harp / Vocals Charlotte Campbell Guitar / Vocals Christopher Parker Electric Guitar / Mixing Daisy Chute Banjo / Vocals Elena Gulia Ukulele / Vocals Elizabeth Hunter Vocals Greg Bishop Percussion / Vocals Kerenza Peacock Violin / Vocals Lisa Ritchie Guitar / Vocals Meg Ella Vocals Midori Jaeger Cello / Vocals Tim Baxter Piano Vin Goodwin Vocals Will Collier Double Bass
African Chant - Garrett Jones
All of these takes were done with me holding the microphone like a dynamic junk stage mic... it was late and I didn't think I'd make a whole project but decided to go for it. Definitely rough, a good bit of reverb and effects added on the tracks to beef up the sound, but absolutely no pitch correction at all.