Wasteland - Bohemia
111 votes
Music: Tero HautamäkiLyrics: Hanna PalmuRecording and mixing: Sami Pulkkinen, RockwerstasVocals: Hanna PalmuGuitars:K-P Voutilainen, Tero HautamäkiBass:Heikki KinnunenDrums: Marko SuomelaKeyboards: Sami Pulkkinen
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Original Cello Composition - Paradigm
Twitter: @jajnov More music: My Channel: http://youtube.com/jajnov Royalty Free Music for Projects http://audiojungle.net/user/Jajnov http://istockphoto.com/jajnov
Stage Makeup Hacks | Kathryn Morgan
My Website/Blog: https://kathrynmorganonline.com My Performance Calendar: https://kathrynmorganonline.com/kathr...Instagram: http://instagram.com/kathryn_morganFacebook: https://www.facebook.com/KathrynMorga...
Mr Trump: Arnold Gutbucket
"Describing Arnold Gutbucket purely as comedy gives no clues as to the fabulous eccentricity of the man. Really original comedians have always been thin on the ground and the likes of Mr Gutbucket are light entertainment treasures. He’s a fine raconteur, sings delightfully silly songs and knows how to work an audience to maximum effect. Great fun."Derek Smith The Stage and Television Today.
Pete Wyer - The Sky Beneath Our Feet
I knew I wanted to primarily use a 72-voice choir (or nine choirs of eight voices each) each with a separate speaker, spread over the wide area where there are live oaks. I also knew that I wanted these voices to evoke something of the world of those trees.
Mr Trump: Arnold Gutbucket
"Describing Arnold Gutbucket purely as comedy gives no clues as to the fabulous eccentricity of the man. Really original comedians have always been thin on the ground and the likes of Mr Gutbucket are light entertainment treasures. He’s a fine raconteur, sings delightfully silly songs and knows how to work an audience to maximum effect. Great fun."Derek Smith The Stage and Television Today.
Pete Wyer - The Sky Beneath Our Feet
I knew I wanted to primarily use a 72-voice choir (or nine choirs of eight voices each) each with a separate speaker, spread over the wide area where there are live oaks. I also knew that I wanted these voices to evoke something of the world of those trees.