How to Apply To Play Music Festivals & Events Across the World

Jeeni Blog

Helping the next generation of talent to build a global fanbase

How to Apply To Play Music Festivals & Events Across the World

I found this great article on Di++O website with links to current UK and overseas opportunities. It's really useful and very informative, as it is up to date and also has direct links to the festival or event where you can apply - so super helpful.

Remember, before you apply to perform at any of these music festivals and events, be sure to read the application instructions and conditions carefully for the best chance of success. Some events may only accept submissions from artists of certain styles and genres, so make sure your act fits the bill before submitting your application.

CURRENT UK & EUROPE OPPORTUNITIES

Are You Listening? Festival | April 2020 | Reading, UK | Apply here

Live at Leeds | May 2020 | Leeds, UK | Apply here

Hanwell Hootie | May 2020 | London, UK | Apply here

Mello Festival | May 2020 | Worcestershire, UK | Apply here

Elderflower Fields | May 2020 | East Sussex, UK | Apply here

The Great Escape | May 2020 | Brighton, UK |Apply here

Sound City | May 2020 | Liverpool, UK | Apply here

Leestock | May 2020 | Suffolk, UK | Apply here

Wychwood Festival | May 2020 | Cheltenham, UK | Apply here

Camden Rocks | May 2020 | London, UK | Apply here

Long Division Festival | June 2020 | Wakefield, UK | Apply here

Sweden Rock | June 2020 | Sölvesborg, Sweden | Apply here

Eden Festival | June 2020 | Dumfries, Scotland | Apply here

Isle of Wight Festival | June 2020 | Isle of Wight | Apply here

Beacon Festival | June 2020 | Oxford, UK | Apply here

Sea Sessions | June 2020 | Donegal, Ireland | Apply here

Leigh Folk Festival | June 2020 | Essex, UK | Apply here

Black Deer Festival | June 2020 | Kent, UK | Apply here

Kendal Calling | July 2020 | Kendal, UK | Apply here

Y Not? Festival | July 2020 | Derbyshire, UK | Apply here

Ampthill Festival | July 2020 | Bedfordshire, UK | Apply here

EskFest | July 2020 | Cumbria, UK | Apply here

Nibley | July 2020 | Cotswolds, UK | Apply here

Daxonbury Festival | July 2020 | North Bedfordshire, UK | Apply here

Techfest | July 2020 | Nottinghamshire, UK | Apply here

El Dorado | July 2020 | Herefordshire, UK | Apply here

Ipswich Music Day | July 2020 | Ipswich, UK | Apply here

Barn On The Farm | July 2020 | Gloucester, UK | Apply here

Brainchild Festival | July 2020 | East Sussex, UK | Apply here

Not a Cult Festival | July 2020 | Worcestershire, UK | Apply here

Nass Festival | July 2020 | Somerset, UK | Apply here

Beat-Herder | July 2020 | Lancashire, UK | Apply here

Ashford Festival in the Park | July 2020 | Kent, UK | Apply here

Shankra Festival | July 2020 | Lostallo, Switzerland | Apply here

Nozstock | July 2020 | Herefordshire, UK | Apply here

Boomtown | August 2020 | Hampshire, UK | Apply here

110 Above | August 2020 | Leicestershire, UK | Apply here

Off Festival | August 2020 | Katowice, Poland | Apply here

Humber Street Sesh | August 2020 | Hull, UK | Apply here

Beyond the Woods | August 2020 | Lincolnshire, UK | Apply here

Farmer Phil’s Music Festival | August 2020 | Shrewsbury, UK | Apply here

Arctangent | August 2020 | Bristol, UK | Apply here

Green Man | August 2020 | Brecon, UK | Apply here

Beautiful Days | August 2020 | Devon, UK | Apply here

Weyfest | August 2020 | Surrey, UK | Apply here

Victorious | August 2020 | Portsmouth, UK | Apply here

Valley Fest | August 2020 | Bristol, UK | Apply here

Phoenix Festival | August 2020 | Cotswolds, UK | Apply here

Cambridge Folk Festival | August 2020 | Cambridge, UK | Apply here

Off The Tracks Festival | August 2020 | Leicestershire, UK | Apply here

End of the Road | September 2020 | Dorset, UK | Apply here

Illusive Festival | September 2020 | Northamptonshire, UK | Apply here

Worcester Music Festival | September 2020 | Worcester, UK | Apply here

Euroblast | September 2020 | Cologne, Germany | Apply here

Live at Heart | September 2020 |Örebro, Sweden | Apply here

Reeperbahn Festival | September 2020 | Hamburg, Germany | Apply here

Equinox Festival | September 2020 | Lincolnshire, UK | Apply here

Waves Vienna | September 2020 | Vienna, Austria | Apply here

Moseley Folk Festival | September 2020 | Birmingham | Apply here

Mercat de Musica | September 2020 | Barcelona, Spain | Apply here

Iceland Airwaves | November 2020 | Reykjavik, Iceland | Apply here

CURRENT USA, CANADA & SOUTH AMERICA OPPORTUNITIES

Tiny Lights Festival | June 2020 | Ymir, Canada | Apply here

Blue Ox Festival | June 2020 | Eau Claire, Wisconsin | Apply here

NXNE | June 2020 | Toronto, Canada | Apply here

Nelsonville Festival | June 2020 | Nelsonville, Ohio | Apply here

Epicenter Festival | May 2020 | Charlotte, North Carolina | Apply here

Music at the View | May 2020 | Tonasket, Washington | Apply here

Texas Music Showcase | July 2020 | San Antonio, Texas | Apply here

Red, White & Bluegrass Festival | July 2020 | Beaver Creek, Ohio | Apply here

Hopscotch | September 2020 | Raleigh, North Carolina | Apply here

Arise Music Festival | August 2020 | Loveland, Colarado | Apply here

Springfield Indie Soul Fest | August 2020 | Springfield, Massachusetts | Apply here

Rock al Parque | August 2020 | Bogota, Colombia | Apply here

Americanafest | September 2020 | Nashville, Tennesee | Apply here

Deadwood Jam | September 2020 | Deadwood, South Dakota | Apply here

Strawberry Music Festival | Spring/Fall Annually | California | Apply here

Joshua Tree Music Festival | Spring/Fall Annually | Joshua Tree, California | Apply here

CURRENT AUSTRALIA, AFRICA & ASIA OPPORTUNITIES

Bali Spirit Festival | April 2020 | Bali, Indonesia | Apply here

Cape Town Coffee Festival | May 2020 | Cape Town, South Africa | Apply here

Bayimba International Festival | August 2020 | Uganda | Apply here

Winter Fest | August 2020 | Lesotho | Apply here

Music Matters | September 2020 | Singapore | Apply here

Maldon Folk Festival | October 2020 | Maldon, VIC, Australia | Apply here

Mushroom Valley | October 2020 | Yalboroo, QLD, Australia | Apply here

Tablelands Folk Festival | October 2020 | Yungaburra, QLD, Australia | Apply here

Queenscliff Music Festival | November 2020 | Queenscliff, Vic, Australia | Apply here

Thanks Di++O Team for such a great article, we have sent links to your website so that our members can find out more. https://www.dittomusic.com/

Our next blog will pinpoint what you need to consider once you have applied and been accepted to play. We are going to create a check-list that our members can actually use. Best of luck and let us know how you got on.

BACK

06
Jun

My Lockdown A-Z Happiness Manifesto – Why imagination, creativity and gratitude can be a cure for all.

By Sammie Venn Jeeni's Official Writer, Columnist and Blogger. Here at Jeeni.com we celebrate and support all musicians and performers, and poetry has its own dedicated channel for artists and performers to showcase their work and earn 100% of their sales, ticketing, merchandise and donations. Jeeni returned to Crowdcube to raise more funds for helping new talent and has already raised £93K, our target is £100K and we have 27 days to go, so we are likely to overfund, which is just amazing. Thanks again to all our wonderful investors. If you want to see our pitch click HERE. Today we showcase Sammie Venn as a very talented and creative writer. I have always been fascinated by the power of the human imagination: the capability of the brain and its capacity to unlock a unique world for every person on the planet. Our thoughts are as unique as fingerprints, so powering up the hippocampus to unravel the labyrinth of our minds can be even more challenging when we are physically isolated from those we love and care for. Lockdown has given us all time to think, sometimes overthink, and evaluate key priorities. These thoughts are often fear-based and at other times they are fuelled by excitement and possibility. At the beginning of COVID-19 I had a long list of ‘lockdown goals’ that I wanted to achieve. I thought I would be able to use the time efficiently to compartmentalise my life, throw some order at the chaos and come through the other side a more polished version of myself. Of course nothing ever goes according to plan. Therefore it felt like the right time to seize the day and further the knowledge and understanding of the human mind, body and soul. The relevance of which resonates even more after being catapulted into a matrix that can only described as something akin to Aldous Huxley’s ‘Brave New World’. Hermann Hesse, German-born Swiss poet, painter, novelist and writer wrote: “I have been and still am a seeker, but I have ceased to question stars and books. I have begun to listen to the teaching my blood whispers to me.” His works explore how an individual searches for authenticity, spirituality and self-knowledge. Unsurprisingly, he won the Nobel Prize for literature in 1946 and has been a real influence when it comes to deciphering principles relating to what education means to me. Kindness, hand in hand with knowledge, is key in my happiness manifesto. September has always been my favourite time of year, a throwback to academia. However online courses in every arena conceivable have become the new normal. We have been unable to sit in classrooms or studios with our fellow peers, so zoom has become the portal for the education of the masses, including our children. The upside is that teaching has become readily accessible and certainly not restricted to certain times of the year. We can learn in the comfort of our own homes, in our pyjamas, with a cup of tea, glass of wine or even sat in the garden. However education is not just about studying for an end goal, its about embracing all that surrounds us, what our culture has to offer and the lessons that we can learn from that. Music teaches us how to express our emotions, whether that is through song writing, performing, dancing or just singing in the shower. We can develop our understanding of life’s twists and turns on a completely different level. The world of music teaches us not just about love, lust, happiness and passion but also about the bonds we have with our fellow human beings. It also lectures us on history, politics and sociology. Music is a platform that enhances our understanding of the world in a magical way, we remember song lyrics, we remember nursery rhymes, we remember the chants and hymns of our ancestors. We learn to come back to ourselves through the power of sound. My education in lockdown encompassed all these salient points. I reconnected on all levels with my hearts centre and created a lockdown happiness manifesto, which by and large I have managed to stick to. My A-Z goes something like this: Click HERE to visit or return to jeeni.com

09
May

A Year In Provence - ‘Bleeding’ Single Review

The latest of just two electric singles from this emerging Kent rock force, ‘Bleeding’ shows a passion and level of musicianship that can’t be faked. As is a recurring development for blossoming artists, the pandemic produced the current, streamlined ‘A Year In Provence’ line-up. All hailing from Kent, AYIP currently consists of: Matt Porter controlling the melodies with his powerful vocals, the bass, handled assertively by Adam Bacon, James Ferner providing groove-essential rhythm guitar and backing vocals, Dan Wing for the commanding lead guitar and Jack Smith’s drumming, rhythmically guiding the entire ensemble through their rock-pop callbacks. Brand new to Jeeni, AYIP have contributed both of their excellent tracks to their Jeeni showcase, adding even more substance to the rock channel. Check out their young, yet exhilarating showcase here: https://jeeni.com/showcase/a-year-in-provence/. ‘Bleeding’ takes its time, structurally, and interestingly doesn’t typically call back to previous sections, at least not in their initial forms. This single opens with full, proud classic pop-rock guitar chords that ring out mostly in the offbeats, certainly in lieu of Weezer’s ‘Say It Ain’t So’ albeit with a more present energy in the verses. As the other parts join, the attention and care taken to the mix is made obvious. Crystal clear vocals show no sign of struggling to be heard over the washy cymbals, or three layers of guitar, not an easy feat for a band so early in their discography. No parts eat into other areas and are individually made clear and present. This single is constantly moving and progresses organically much like a live performance, as you can hear the members grow in energy; the alternative to which is to harvest previously recorded parts and use identical pieces of audio in several, different places which, although is sometimes a logistical necessity in a studio, often results in an unplaceable feeling of “sameyness” and a lack of effort, something that cannot be heard at all in ‘Bleeding’. As is also a theme with Jeeni’s budding new artists, A Year In Provence have made certain promises with their singles, and something about the five-piece inspires hope about fulfilling such promises. Check out their showcase here: https://jeeni.com/showcase/a-year-in-provence/. How can Jeeni support artists like A Year In Provence? JEENI is a multi-channel platform for original entertainment on demand. We’re a direct service between creatives and the global audience. • We give creatives, independent artists and performers a showcase for their talent and services. And they keep 100% of everything they make. • We empower our audience and reward them every step of the way. • We promise to treat our members ethically, fairly, honestly and with respect. • Access to artist liaison and a supportive marketing team.

05
Jun

Global Online Music Streaming Grew 32% to over 350 Million Subscriptions in 2019

By Abhilash Kumar Spotify continues to be the market leader and recorded a 23% YoY growth in total revenue during CY 2019.Music streamers are focusing on creating exclusive content with podcasts continuing to feature strongly in 2020. Seoul, Hong Kong, New Delhi, Beijing, London, Buenos Aires, San Diego – 3rd April 2020 Global online music streaming subscriptions grew 32% year-on-year (YoY) reaching 358 million subscriptions in CY 2019, according to the latest findings from Counterpoint Research. This is driven by the availability of exclusive content like podcasts, originals which attracted people towards the platform and eventually turned them as subscribers. Also, promotional activities like price cuts in subscriptions in emerging markets, bundled offers from telcos added to the growth. We expect that online music streaming subscriptions to grow more than 25% YoY to exceed 450 million subscriptions by the end of 2020. Commenting on the overall market, Research Analyst, Abhilash Kumar, said, “Paid subscriptions grew 32% YoY compared to 23% YoY growth of total MAUs. This suggests people are ready to pay for music streaming for a hassle-free experience. However, this is not completely user-driven. Music streaming platforms are following a two-step approach to gain subscribers, first registering them to their platform as free users by means of excellent advertising campaigns and secondly pitching them with attractive offers to transfer them to become paying subscribers.” Spotify topped CY 2019 grabbing a 31% share of the total revenue and a 35% share of the total paid subscriptions. The runner up, Apple Music, follows with a 24% share of total revenues in the industry and a 19% share of the total paid subscriptions. Due to Apple’s high focus on its services segment which includes Apple Music, its subscription base grew 36% YoY in CY 2019. Amazon Music subscriptions reached a 15% share in 2019 compared to 10% in 2018. Talking about the top performers, Kumar added, “Spotify maintained its top spot with the help of promotional activities like free Spotify Premium for three months, price cuts, customized campaigns like Spotify and a focus on exclusive content. Tech giants like Amazon, Apple, Google have started focusing on music streaming and have sufficient cash at their disposal to give stiff competition to Spotify. Apple Music is making improvements in its app like the introduction of night mode, curated playlists to target a group, etc. Similarly, Amazon Music has been trying lossless music and is creating its own niche where it competes with Tidal.” Despite global players strongly pushing their music streaming platforms, regional players stand strong in their respective regions, primarily because of regional exposure and high focus on local content. Gaana continues to be the no.1 player in the Indian market, Yandex Music is leading in Russia. Similarly, Anghami leads the Arab world. Tencent Music Group leads the China market with the help of its apps QQ Music, Kugou and Kuwo. Discussing the impact of the COVID-19 pandemic on the OTT industry, Kumar added, “We expect the OTT sector will experience an uptick as people stay at home actively tracking the latest updates. During this outbreak, audio OTT consumption has switched from music streaming to the radio. People in highly affected areas are worried about the outbreak and are therefore continuously tuned to news on TV/radio for updates. The traction of news channels and podcasts saw an upswing while that for music streaming dropped.” What’s common is that both the regional and global players are focusing a lot on building exclusive content. Acquiring podcast companies and creating their own channels are all being undertaken. It’s often exclusive content that drives paid subscription growth. More than 80% of music streaming revenue came from paid subscriptions. The rest came from advertisements and partnerships with brands and telcos. Therefore, increasing paid subscriptions is of prime importance for music streaming platforms. The comprehensive and in-depth chain of reports on Global Online Music Streaming Market for Q4 2019 is available to help track the market in terms of MAUs by region, paid subscriptions by region, revenues, and ARPU. To view the global report in terms of users, revenues and ARPU, click here. For regional analysis on MAUs and paid subscriptions, click here. Please contact press(at)counterpointresearch.com for further questions regarding our in-depth research, insights or other press inquiries. Background: Counterpoint Technology Market Research is a global research firm specializing in Technology products in the TMT industry. It services major technology firms and financial firms with a mix of monthly reports, customized projects and detailed analysis of the mobile and technology markets. Its key analysts are experts in the industry with an average tenure of 13 years in the high-tech industry. Click HERE to visit or return to jeeni.com

Jeeni Blog