All We Can Do - Kissing The Flint
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An Australian Songwriting Association Inc. (ASAI) Top 10 Indie-Rock finalist with a UK Songwriting Competition commended, this reimagined, lushly arranged pop-reggae single version of the original ‘Standing on the Fringe of Rooms’ album track reflects how we all have the ability and strength within ourselves to push through and soldier on, even when the days feel darkest. Those days when we feel like mere spectators of our own lives, standing on the outside looking in, fearing we’re losing control over our destiny. All is not lost. Ride the rolling stone and believe the light is waiting for you up ahead to banish the shadows, if you can only hold on to hope.
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Melancholy Air Instrumental - Daisy Chute
MELANCHOLY AIR INSTRUMENTAL from the EP ‘CRADLE SONGS’ by Daisy Chute "Burns Night is a tradition I hold dear, especially as a displaced Scot in London. But every year we gather and recite the same poetry and songs, and I've often wondered about all the Scottish poetry that gets left unread, especially from the female perspective. I wanted to unearth some lesser known poetry so Cradle Songs are settings of the poems I discovered and connected with on my hunt. The poems are about mourning (Mary Queen of Scots's Melancholy Air), unrequited love (Marion Angus's Mary's Song), and motherhood (Carolina Oliphant's Cradle Song), and span from the 16th to the 20th Century." ‘Cradle Songs’ featuring 'Melancholy Air Instrumental' released 28 January 2022.
BROOKLYNN - i hate it here
On and on it goes i know It’s just a part of me Never ever been something I control How did we get here I fear I’m worried for my life Is it just a matter of time Before we go Momma oh Momma oh how I hate it here Oh how I hate it here The cycle carried on Just like a feather in the wind It was hard to trace it back But we knew it’d never end And the houses They were never ever built on sinking sand They were built on backs of men They were trying to break The kingdom grew and told those men That they were never great And they showed them only hate Anytime they were showcased Okay Momma oh Momma oh how I hate it here Oh how I hate it here There were bruises left in history They kept a mystery from us And the people that tried to break us They only feared us Because we were too free We were too free We were too free We were too free Momma oh Momma oh how I hate it here Oh how I hate it here Momma oh Momma oh how I hate it here Oh how I hate it Momma oh Momma oh how I hate it here Oh how I hate it here
Nightvision, by Bart Vansteenhuyse
Official Music Video for Bart Vansteenhuysen's Night Visionf
Penal Colony No. 14 - The Day of the Rabblement
The Day of the Rabblement performing their original song called 'Penal Colony No.14' . Having developed from an acoustic and more traditional set-up, they have grown in sound and reputation and enjoyed success on the Portsmouth music scene. They are always developing and keeping up with the current times.As a band, they had been on a baby-break just before the pandemic hit. Emerging from lock-down they had been gearing-up to give the band a new lease of life and looking at how to push ourselves. The 5 piece indie group create original songs and tune arrangements to get people up and moving!
Melancholy Air Instrumental - Daisy Chute
MELANCHOLY AIR INSTRUMENTAL from the EP ‘CRADLE SONGS’ by Daisy Chute "Burns Night is a tradition I hold dear, especially as a displaced Scot in London. But every year we gather and recite the same poetry and songs, and I've often wondered about all the Scottish poetry that gets left unread, especially from the female perspective. I wanted to unearth some lesser known poetry so Cradle Songs are settings of the poems I discovered and connected with on my hunt. The poems are about mourning (Mary Queen of Scots's Melancholy Air), unrequited love (Marion Angus's Mary's Song), and motherhood (Carolina Oliphant's Cradle Song), and span from the 16th to the 20th Century." ‘Cradle Songs’ featuring 'Melancholy Air Instrumental' released 28 January 2022.
BROOKLYNN - i hate it here
On and on it goes i know It’s just a part of me Never ever been something I control How did we get here I fear I’m worried for my life Is it just a matter of time Before we go Momma oh Momma oh how I hate it here Oh how I hate it here The cycle carried on Just like a feather in the wind It was hard to trace it back But we knew it’d never end And the houses They were never ever built on sinking sand They were built on backs of men They were trying to break The kingdom grew and told those men That they were never great And they showed them only hate Anytime they were showcased Okay Momma oh Momma oh how I hate it here Oh how I hate it here There were bruises left in history They kept a mystery from us And the people that tried to break us They only feared us Because we were too free We were too free We were too free We were too free Momma oh Momma oh how I hate it here Oh how I hate it here Momma oh Momma oh how I hate it here Oh how I hate it Momma oh Momma oh how I hate it here Oh how I hate it here
Penal Colony No. 14 - The Day of the Rabblement
The Day of the Rabblement performing their original song called 'Penal Colony No.14' . Having developed from an acoustic and more traditional set-up, they have grown in sound and reputation and enjoyed success on the Portsmouth music scene. They are always developing and keeping up with the current times.As a band, they had been on a baby-break just before the pandemic hit. Emerging from lock-down they had been gearing-up to give the band a new lease of life and looking at how to push ourselves. The 5 piece indie group create original songs and tune arrangements to get people up and moving!