Blood in the Water, by Black Sheets Of Rain
242 votes
Taking their musical cues from classic acts like Judas Priest, Black Sabbath, Kings X, Thin Lizzy, Accept, Metallica, Iron Maiden, UFO, Anthrax and Dio, Black Sheets Of Rain’s focus is on writing memorable songs delivered with relentless energy. Their sound distils influences from across the metal spectrum, from doom to thrash, into a hard-hitting contemporary sound. Pounding drums, rumbling bass, biting guitars and gritty vocals underpin the band’s heavy, melodic material.A power trio in the vintage mould, the band feature David Nuttall (Drums/Vocals, ex Toy Dolls), Matt Lambourne (Bass / Vocals, ex Solomon Groove) and Rich Davenport (Guitar/Lead Vocals, ex See Red, Atomkraft). Songs from their forthcoming debut EP, have already met with an enthusiastic reception at live shows supporting established UK Metal bands Eliminator, Seven Sisters and Conjuring Fate.
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Leaving It All Behind - James Hawken
Do you ever feel like you've had enough? You need to make changes in your life? I felt like this and as usual, sat at the piano. I used the instrument to 'reset' my frame of mind, as a bridge from one life experience to another. The result is an expressive, dynamic piece full of changes of pace and touch. The overall effect instilling an air of calm and closing of a chapter. It's mood is also positive and conveys a feeling of optimism for the future.
Melancholy Air Instrumental - Daisy Chute
MELANCHOLY AIR INSTRUMENTAL from the EP ‘CRADLE SONGS’ by Daisy Chute "Burns Night is a tradition I hold dear, especially as a displaced Scot in London. But every year we gather and recite the same poetry and songs, and I've often wondered about all the Scottish poetry that gets left unread, especially from the female perspective. I wanted to unearth some lesser known poetry so Cradle Songs are settings of the poems I discovered and connected with on my hunt. The poems are about mourning (Mary Queen of Scots's Melancholy Air), unrequited love (Marion Angus's Mary's Song), and motherhood (Carolina Oliphant's Cradle Song), and span from the 16th to the 20th Century." ‘Cradle Songs’ featuring 'Melancholy Air Instrumental' released 28 January 2022.
Leaving It All Behind - James Hawken
Do you ever feel like you've had enough? You need to make changes in your life? I felt like this and as usual, sat at the piano. I used the instrument to 'reset' my frame of mind, as a bridge from one life experience to another. The result is an expressive, dynamic piece full of changes of pace and touch. The overall effect instilling an air of calm and closing of a chapter. It's mood is also positive and conveys a feeling of optimism for the future.
Melancholy Air Instrumental - Daisy Chute
MELANCHOLY AIR INSTRUMENTAL from the EP ‘CRADLE SONGS’ by Daisy Chute "Burns Night is a tradition I hold dear, especially as a displaced Scot in London. But every year we gather and recite the same poetry and songs, and I've often wondered about all the Scottish poetry that gets left unread, especially from the female perspective. I wanted to unearth some lesser known poetry so Cradle Songs are settings of the poems I discovered and connected with on my hunt. The poems are about mourning (Mary Queen of Scots's Melancholy Air), unrequited love (Marion Angus's Mary's Song), and motherhood (Carolina Oliphant's Cradle Song), and span from the 16th to the 20th Century." ‘Cradle Songs’ featuring 'Melancholy Air Instrumental' released 28 January 2022.