Come Home, by Maze
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Come Home, by Maze
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Fever, first release by King Voodoo
King Voodoo's first release called Fever, from their new EP "4". Mixed by the amazing Pete Newdeck and mastered at H-Bomb. Stay tuned, give it a share and give us a thumbs up #bemorevoodoo #4kingvoodoo #supportlivemusic
Who Knew - Daisy Chute -Window Sessions IV
It’s the first original song in the series and is called “Who Knew”. It's a solo banjo and voice and was recorded direct to tape at the brilliant brand new analogue Studio Silo in East Iceland.Here are the lyrics: You were only looking at me looking back at you Now you’re lonely, wondering ‘bout me wondering ‘bout you too And you don’t see, how you hurt me, what you didn’t do So I won’t be, who you come see when the day is through, Who knew? And I pray you’ll find someone to worship you And I hope that you’ll love her the way that she’ll love you I do
Pete Wyer - The Sky Beneath Our Feet
I knew I wanted to primarily use a 72-voice choir (or nine choirs of eight voices each) each with a separate speaker, spread over the wide area where there are live oaks. I also knew that I wanted these voices to evoke something of the world of those trees.
The Pull Of Autumn, by The New Unity
The Pull Of Autumn, by The New Unity
Who Knew - Daisy Chute -Window Sessions IV
It’s the first original song in the series and is called “Who Knew”. It's a solo banjo and voice and was recorded direct to tape at the brilliant brand new analogue Studio Silo in East Iceland.Here are the lyrics: You were only looking at me looking back at you Now you’re lonely, wondering ‘bout me wondering ‘bout you too And you don’t see, how you hurt me, what you didn’t do So I won’t be, who you come see when the day is through, Who knew? And I pray you’ll find someone to worship you And I hope that you’ll love her the way that she’ll love you I do
Pete Wyer - The Sky Beneath Our Feet
I knew I wanted to primarily use a 72-voice choir (or nine choirs of eight voices each) each with a separate speaker, spread over the wide area where there are live oaks. I also knew that I wanted these voices to evoke something of the world of those trees.