Crazy, by Nolan
189 votes

Nolan performs his original protest song Crazy

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Hanibal Death Machine: Le Temps De L'Absence
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Hanibal Death Machine: Le Temps De L'Absence

Hanibal Death Machine: Le Temps De L'AbsenceGenre: Métal indus avec forte influence DoomBand Members: Batterie : Dorian Loret - Basse : Yann Gerbaud - Guitarre : Corentin Altar di alter - Chant : Jean-Luc LoretMétal indus tendance marylin Manson and Rob Zombie! Chant en Français !

Meditate And Rest With This Music
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Meditate And Rest With This Music

More information about Wuauquikuna can be found on: Our Website: http://www.wuauquikuna-official.com Facebook: https://www.facebook.com/wuauquikunaO... wuauquikunamusic.bandcamp.com

Excerpts from A Very Spectrum Christmas (Part 5), by Thomas A. Christie.
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Excerpts from A Very Spectrum Christmas (Part 5), by Thomas A. Christie.

Excerpts from A Very Spectrum Christmas (Part 5), by Thomas A. Christie. In this section: "The Miser" by River Software (1990). Throughout the 1980s, thousands of British children were lucky enough to discover a Sinclair ZX Spectrum under their Christmas trees and soon found their eyes opened to a virtual world of wonder. But Santa Claus did more than deliver computers — sometimes he appeared on them, too. This book delves into the Spectrum’s extraordinary pantheon of seasonal games: the good, the bad, the surprising, the unabashedly surreal and the occasionally rather tenuous. "A Very Spectrum Christmas" is Copyright ©2021 Thomas A. Christie, all rights reserved, and is published by Extremis Publishing Ltd. This title is available as a physical book from www.extremispublishing.com and all good online retailers and independent booksellers worldwide.

Tramp For The Lord - I Got Nothin'
04:00
Tramp For The Lord - I Got Nothin'

A song about love and loss, written and sung by Doug Cox, Preformed by "Tramp for the Lord"Doug Cox - guitar and vocals, Jim Ferguson - bass guitar, autoharp and vocals, Mark Mastopietro - lap steel guitar and William Fowler - drums and percussion. Directed and edited by Kevin Sonnichsen and shot by Ryan Johnson on 7-5-12, in San Francisco .

Hanibal Death Machine: Le Temps De L'Absence
03:10
Hanibal Death Machine: Le Temps De L'Absence

Hanibal Death Machine: Le Temps De L'AbsenceGenre: Métal indus avec forte influence DoomBand Members: Batterie : Dorian Loret - Basse : Yann Gerbaud - Guitarre : Corentin Altar di alter - Chant : Jean-Luc LoretMétal indus tendance marylin Manson and Rob Zombie! Chant en Français !


Meditate And Rest With This Music
06:33
Meditate And Rest With This Music

More information about Wuauquikuna can be found on: Our Website: http://www.wuauquikuna-official.com Facebook: https://www.facebook.com/wuauquikunaO... wuauquikunamusic.bandcamp.com


Excerpts from A Very Spectrum Christmas (Part 5), by Thomas A. Christie.
05:32
Excerpts from A Very Spectrum Christmas (Part 5), by Thomas A. Christie.

Excerpts from A Very Spectrum Christmas (Part 5), by Thomas A. Christie. In this section: "The Miser" by River Software (1990). Throughout the 1980s, thousands of British children were lucky enough to discover a Sinclair ZX Spectrum under their Christmas trees and soon found their eyes opened to a virtual world of wonder. But Santa Claus did more than deliver computers — sometimes he appeared on them, too. This book delves into the Spectrum’s extraordinary pantheon of seasonal games: the good, the bad, the surprising, the unabashedly surreal and the occasionally rather tenuous. "A Very Spectrum Christmas" is Copyright ©2021 Thomas A. Christie, all rights reserved, and is published by Extremis Publishing Ltd. This title is available as a physical book from www.extremispublishing.com and all good online retailers and independent booksellers worldwide.


Tramp For The Lord - I Got Nothin'
04:00
Tramp For The Lord - I Got Nothin'

A song about love and loss, written and sung by Doug Cox, Preformed by "Tramp for the Lord"Doug Cox - guitar and vocals, Jim Ferguson - bass guitar, autoharp and vocals, Mark Mastopietro - lap steel guitar and William Fowler - drums and percussion. Directed and edited by Kevin Sonnichsen and shot by Ryan Johnson on 7-5-12, in San Francisco .