How to Sing Opera | Classical Singing
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L'Oiseau Bleu: Beydts - Joy Tamayo
Joy Tamayo performing L'Oiseau Bleu: Beydts
Suffolk Bay, by Ariana May
Suffolk Bay, the debut single by singer-songwriter Ariana May.Ariana is a 16 year old British singer-songwriter who's classical training in piano and singing from a young age has developed into a love of composing and performing. Her style is a potpourri of alternative, pop, rock and folk music, and she has a wide compass of influences: ranging from Kate Bush, Supertramp, AURORA and Birdy to Johannes Brahms, Leonard Bernstein, Michael Legrand, John Barry and Justin Hurwitz.
Hanibal Death Machine: Peut Être
Hanibal Death Machine: Peut ÊtreGenre: Métal indus avec forte influence DoomBand Members: Batterie : Dorian Loret - Basse : Yann Gerbaud - Guitarre : Corentin Altar di alter - Chant : Jean-Luc LoretMétal indus tendance marylin Manson and Rob Zombie! Chant en Français !
Pete Wyer - The Sky Beneath Our Feet
I knew I wanted to primarily use a 72-voice choir (or nine choirs of eight voices each) each with a separate speaker, spread over the wide area where there are live oaks. I also knew that I wanted these voices to evoke something of the world of those trees.
Suffolk Bay, by Ariana May
Suffolk Bay, the debut single by singer-songwriter Ariana May.Ariana is a 16 year old British singer-songwriter who's classical training in piano and singing from a young age has developed into a love of composing and performing. Her style is a potpourri of alternative, pop, rock and folk music, and she has a wide compass of influences: ranging from Kate Bush, Supertramp, AURORA and Birdy to Johannes Brahms, Leonard Bernstein, Michael Legrand, John Barry and Justin Hurwitz.
Hanibal Death Machine: Peut Être
Hanibal Death Machine: Peut ÊtreGenre: Métal indus avec forte influence DoomBand Members: Batterie : Dorian Loret - Basse : Yann Gerbaud - Guitarre : Corentin Altar di alter - Chant : Jean-Luc LoretMétal indus tendance marylin Manson and Rob Zombie! Chant en Français !
Pete Wyer - The Sky Beneath Our Feet
I knew I wanted to primarily use a 72-voice choir (or nine choirs of eight voices each) each with a separate speaker, spread over the wide area where there are live oaks. I also knew that I wanted these voices to evoke something of the world of those trees.