Lucine Fyelon - 'Be Free'
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Talented Lucine Fyelon, wrote this track ' Be Free', combining her music, violin and vocal skills. The video was shot on a return visit to her native Armenia, after an absence of 15 years. Looks beautiful!#lucinefyelon #befree #violin #composer #armenia #stringinstrument #classicalfusion #jeeni #music #musicians #independent #ambientmusic #electronicmusic #keyboards #synthmusic #singersongwriter #musicvideo #musicfest #community #talent #unsigned #creatives #fans #superfans
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David Bourne performs at Aether Open Mic
David Bourne performs at Aether Open Mic
Payson Lewis - Bad Influence
Instagram: www.instagram/com/paysonlewis Facebook: www.facebook.com/paysonlewismusic Twitter: www.twitter.com/paysonlewisDirected by Payson Lewis Drone Operator: Ben Goldberg Edited by Payson Lewis Featuring Drums: Rob Humphreys Keys: Kim Vi Bass: Christine Meisenhelter Guitar: Johnny Sim Special thanks to Taran Gray and Leah Lewis.
HIGH & MIGHTY BRASS BAND- Mango King (Original Tune)
BAND: Evan Howard - Drums Chauncey Yearwood - Percussion Steve Duffy - Sousaphone Andrew Miramonti - Guitar Frank Cohen - Trombone Nadav Nirenberg - Trombone Andrew McGovern - Trumpet Gabe Medd - Trumpet INSTAGRAM - high andmightybrass
Woodwind Quintet No.1 (My Original Work, Whole Piece Version)
This piece was written as a contemporary music (the 1st and 3rd movement may be too old-school). Interestingly my composing sequence is ‘1st movement, then 3rd and 2nd’.So you may hear something completely new in the 2nd movement. Also the relationship between 1st and 3rd movement becomes closer.
Payson Lewis - Bad Influence
Instagram: www.instagram/com/paysonlewis Facebook: www.facebook.com/paysonlewismusic Twitter: www.twitter.com/paysonlewisDirected by Payson Lewis Drone Operator: Ben Goldberg Edited by Payson Lewis Featuring Drums: Rob Humphreys Keys: Kim Vi Bass: Christine Meisenhelter Guitar: Johnny Sim Special thanks to Taran Gray and Leah Lewis.
Woodwind Quintet No.1 (My Original Work, Whole Piece Version)
This piece was written as a contemporary music (the 1st and 3rd movement may be too old-school). Interestingly my composing sequence is ‘1st movement, then 3rd and 2nd’.So you may hear something completely new in the 2nd movement. Also the relationship between 1st and 3rd movement becomes closer.