Penal Colony No. 14 - The Day of the Rabblement
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The Day of the Rabblement performing their original song called 'Penal Colony No.14' . Having developed from an acoustic and more traditional set-up, they have grown in sound and reputation and enjoyed success on the Portsmouth music scene. They are always developing and keeping up with the current times.As a band, they had been on a baby-break just before the pandemic hit. Emerging from lock-down they had been gearing-up to give the band a new lease of life and looking at how to push ourselves. The 5 piece indie group create original songs and tune arrangements to get people up and moving!
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![IDKCletus - Who I Am [Prod by Gosuto]](https://jeeni-22.s3.eu-west-2.amazonaws.com/track/3123/Screenshot-2020-04-01-at-15.18.07_thumbnail.jpg)
IDKCletus - Who I Am [Prod by Gosuto]
IDKCletus - Who I Am [Prod by Gosuto]
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Video Shoot Players: Randy Farrell/Vocals TEA/Guitar Ryan Bradley/Bass Pat Leon/Drums Dianna Appell/Flip Your Switch Girl
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This piece was written as a contemporary music (the 1st and 3rd movement may be too old-school). Interestingly my composing sequence is ‘1st movement, then 3rd and 2nd’.So you may hear something completely new in the 2nd movement. Also the relationship between 1st and 3rd movement becomes closer.
Shiny Stockings - Mike Casey
Mike Casey has enchanted audiences young & old alike, performing his signature blend of upbeat, accessible, exploratoty original music and genre-bending re-imaginations of jazz, pop, R&B, and even hip hop classics with mature lyricism and a formidable sound that commands the attention of the listener. Mike loves to pose musical "questions" to the audience, keeping them engaged, inquisitive, and above all, FEELING. Currently, Mike is currently exploring beyond jazz, finishing up a yearlong graduate degree in Contemporary Performance & Music Production at Berklee College of Music’s Valencia, Spain campus.
Woodwind Quintet No.1 (My Original Work, Whole Piece Version)
This piece was written as a contemporary music (the 1st and 3rd movement may be too old-school). Interestingly my composing sequence is ‘1st movement, then 3rd and 2nd’.So you may hear something completely new in the 2nd movement. Also the relationship between 1st and 3rd movement becomes closer.