Por Estar Contigo - Juliet Gonzalez
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Por Estar Contigo - Juliet Gonzalez
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Zeeteah Massiah Interview
Inside Story, Kate Stewart interviews Zeeteah Massiah. Zeeteah Silveta Massiah is a Barbadian-born British singer particularly associated with reggae, jazz and house music. In a wide-ranging career she has recorded and/or toured with artists including Robbie Williams, Tom Jones, Michael Jackson, Phil Collins, Sting, Leo Sayer, and Michael Bolton. She is best known in the United States as the lead vocalist on the 1993 Billboard No.1 dance hit Slide on the Rhythm. Zeeteah performs regularly in London with her band. She has released two albums with her husband, producer and songwriter Paul Caplin: Juice and Maybe Tomorrow.
Jesus Hooligan, Loser
Jesus Hooligan, Loser
I'll be there (instrumental)
Instrumental of the original composition 'I'll be there' by Rockaline... to be on a forthcoming album succeeding the album 'Modern Satellite" to be released soon...Details and news at Rockaline.com X
African Chant - Garrett Jones
All of these takes were done with me holding the microphone like a dynamic junk stage mic... it was late and I didn't think I'd make a whole project but decided to go for it. Definitely rough, a good bit of reverb and effects added on the tracks to beef up the sound, but absolutely no pitch correction at all.
Zeeteah Massiah Interview
Inside Story, Kate Stewart interviews Zeeteah Massiah. Zeeteah Silveta Massiah is a Barbadian-born British singer particularly associated with reggae, jazz and house music. In a wide-ranging career she has recorded and/or toured with artists including Robbie Williams, Tom Jones, Michael Jackson, Phil Collins, Sting, Leo Sayer, and Michael Bolton. She is best known in the United States as the lead vocalist on the 1993 Billboard No.1 dance hit Slide on the Rhythm. Zeeteah performs regularly in London with her band. She has released two albums with her husband, producer and songwriter Paul Caplin: Juice and Maybe Tomorrow.
African Chant - Garrett Jones
All of these takes were done with me holding the microphone like a dynamic junk stage mic... it was late and I didn't think I'd make a whole project but decided to go for it. Definitely rough, a good bit of reverb and effects added on the tracks to beef up the sound, but absolutely no pitch correction at all.