Scene 8 Dark Medieval Days
120 votes
[ditty_news_ticker id="21103"][ditty_news_ticker id="20176"]Inspired by life on Spring Street, Manhattan - setting the poetry of Steve Dalachinsky and Yuko Otomo to music by Pete Wyer.Exclusive world premier, full performance here Saturday 24th July 2021. HEDAY INOUE is The Caretaker - enjoy his Jeeni Showcase HEREJOY TAMAYO is The Optimist - enjoy her Jeeni Showcase HEREMAREN MONTALBANO is The Watcher - enjoy her Jeeni Showcase HEREPETE WYER is The Composer - enjoy his Jeeni Showcase HEREMATT GRAY is The Film Director - enjoy his Jeeni Showcase HERESTEVE DALACHINSKY is The Poet - enjoy his Jeeni Showcase HEREYUKO OTOMO is The Poet - enjoy her Jeeni Showcase HEREJoy Tamayo, soprano Maren Montalbano, mezzo soprano Heday Inoue, bass baritone Maria Grigoryeva, violins Vladimir Stoletov, viola Lyudmila Kadyrbaeva, cello Pete M Wyer guitar, bass, keyboard Josh Plotner, saxes Bobby Previte, drums Spring Street film (2021), Matt Gray Original film (1996), Norbert Nowotsch Film edit, Pete M. Wyer Music Direction, Mila Henry Studio Music Supervision, Daniel Lazour Recorded at Eastside Sound, New York, Three Horses Studio, New York Mixed at Press Play, London Libretto Poems, Steve Dalachinsky and Yuko Otomo Spring Street Opera by Pete Wyer
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JTC Jam Of The Month (Feb 2022) - Luca Chessa
Musician Luca Chessa performs an improvisation to a track made by Jack Gardiner. ‘I am a passionate and committed music professional, with the talent and drive to succeed. Growing up amongst the vibrant and diverse music scene in Italy, and studying music in London, was an environment full of inspiration and stimulation for me to feed off.’
JTC Jam Of The Month (Feb 2022) - Luca Chessa
Musician Luca Chessa performs an improvisation to a track made by Jack Gardiner. ‘I am a passionate and committed music professional, with the talent and drive to succeed. Growing up amongst the vibrant and diverse music scene in Italy, and studying music in London, was an environment full of inspiration and stimulation for me to feed off.’