Scene 8 Dark Medieval Days
120 votes
[ditty_news_ticker id="21103"][ditty_news_ticker id="20176"]Inspired by life on Spring Street, Manhattan - setting the poetry of Steve Dalachinsky and Yuko Otomo to music by Pete Wyer.Exclusive world premier, full performance here Saturday 24th July 2021. HEDAY INOUE is The Caretaker - enjoy his Jeeni Showcase HEREJOY TAMAYO is The Optimist - enjoy her Jeeni Showcase HEREMAREN MONTALBANO is The Watcher - enjoy her Jeeni Showcase HEREPETE WYER is The Composer - enjoy his Jeeni Showcase HEREMATT GRAY is The Film Director - enjoy his Jeeni Showcase HERESTEVE DALACHINSKY is The Poet - enjoy his Jeeni Showcase HEREYUKO OTOMO is The Poet - enjoy her Jeeni Showcase HEREJoy Tamayo, soprano Maren Montalbano, mezzo soprano Heday Inoue, bass baritone Maria Grigoryeva, violins Vladimir Stoletov, viola Lyudmila Kadyrbaeva, cello Pete M Wyer guitar, bass, keyboard Josh Plotner, saxes Bobby Previte, drums Spring Street film (2021), Matt Gray Original film (1996), Norbert Nowotsch Film edit, Pete M. Wyer Music Direction, Mila Henry Studio Music Supervision, Daniel Lazour Recorded at Eastside Sound, New York, Three Horses Studio, New York Mixed at Press Play, London Libretto Poems, Steve Dalachinsky and Yuko Otomo Spring Street Opera by Pete Wyer
Try This
When We Grow Old, David Bowdler
When We Grow Old, composed and performed by David Bowdler
What the heart wants - Cindy Kinnear
Visit our Facebook page https://www.facebook.com/cindykinnear... Dressed by https://www.facebook.com/Kinn.designs... Recorded at Crooked house records https://www.facebook.com/crooked.hp/?...
Raffi Arto - The Blues Kid plays boogie woogie piano
Raffi Arto - The Blues Kid plays boogie woogie piano in the style of Jerry Lee Lewis
African Chant - Garrett Jones
All of these takes were done with me holding the microphone like a dynamic junk stage mic... it was late and I didn't think I'd make a whole project but decided to go for it. Definitely rough, a good bit of reverb and effects added on the tracks to beef up the sound, but absolutely no pitch correction at all.
African Chant - Garrett Jones
All of these takes were done with me holding the microphone like a dynamic junk stage mic... it was late and I didn't think I'd make a whole project but decided to go for it. Definitely rough, a good bit of reverb and effects added on the tracks to beef up the sound, but absolutely no pitch correction at all.