Shy (Satasha Torres)
174 votes
Shy, by Satasha Torres
Try This
She-Oak Affair - Kissing The Flint
Written by Leah Chynoweth-Tidy for her debut Kissing The Flint EP 'Unconditionality' released in 2019, this upbeat track reminds us that life far too often gets manic and we need to remember to take the time to slow down or stop and smell the roses. Or in this case, relaxing on the sand under the shade of a She-Oak tree, gazing at the sea and downing a cold drink - or three!
Narration Reel 2020 – Jack Pinder (www.EnigmaVoices.com)
An excerpt from Rudyard Kipling’s ‘The Jungle Book’, narrated by Jack Pinder (www.EnigmaVoices.com).Jack Pinder is an Award winning, native English voiceover artist based in London, UK and is the winner of 'Best Male TV Documentary Voiceover' at the One Voice Awards 2020.
African Chant - Garrett Jones
All of these takes were done with me holding the microphone like a dynamic junk stage mic... it was late and I didn't think I'd make a whole project but decided to go for it. Definitely rough, a good bit of reverb and effects added on the tracks to beef up the sound, but absolutely no pitch correction at all.
Hairy London Episode 21
Episode 21 of Hairy London by Stephen Palmer, read by RD Watson, an exclusive audiobook from Jeeni.
She-Oak Affair - Kissing The Flint
Written by Leah Chynoweth-Tidy for her debut Kissing The Flint EP 'Unconditionality' released in 2019, this upbeat track reminds us that life far too often gets manic and we need to remember to take the time to slow down or stop and smell the roses. Or in this case, relaxing on the sand under the shade of a She-Oak tree, gazing at the sea and downing a cold drink - or three!
Narration Reel 2020 – Jack Pinder (www.EnigmaVoices.com)
An excerpt from Rudyard Kipling’s ‘The Jungle Book’, narrated by Jack Pinder (www.EnigmaVoices.com).Jack Pinder is an Award winning, native English voiceover artist based in London, UK and is the winner of 'Best Male TV Documentary Voiceover' at the One Voice Awards 2020.
African Chant - Garrett Jones
All of these takes were done with me holding the microphone like a dynamic junk stage mic... it was late and I didn't think I'd make a whole project but decided to go for it. Definitely rough, a good bit of reverb and effects added on the tracks to beef up the sound, but absolutely no pitch correction at all.