Tess Tyler, showreel
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Tess Tyler, showreel
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Giack Bazz Is Not Famous - Giack Bazz
'Giack Bazz Is Not Famous' is the title track of Giack Bazz's 2018 album. Deliberately present only on the vinyl edition and now, Jeeni, this single is an exciting and fresh take on indie rock. Giack Bazz is an alternative Rock singer-songwriter based in London. Giack takes the listener on a tour inside his mind, criticising society and discussing mental health, from love to loss. His first record 'Childhood Dream' (2016), financed by a crowdfunding, paved the road for 'Giack Bazz Is Not Famous' (2018) and 'Haikufy' (2019), a 30-tracks, 20-minutes album that started his personal protest against the unfair paying scheme of streaming platforms. Supporting The Ivors’ Academy and the Musician’s Union campaign #fixstreaming, in 2020 he released the 366-songs album 'Impression A.I.' with his side project The Royalty Instrumentality Project. Released: March 9th, 2018
On Stage - Ballet Music
Composer: Giordano Trivellato Composer: Giuliano Sacchetto Music Publisher: Tobacco Music Edition (Gema)
Alex Raykin, guitar jam
Alex Raykin, guitar jam
Secure The Bag
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Giack Bazz Is Not Famous - Giack Bazz
'Giack Bazz Is Not Famous' is the title track of Giack Bazz's 2018 album. Deliberately present only on the vinyl edition and now, Jeeni, this single is an exciting and fresh take on indie rock. Giack Bazz is an alternative Rock singer-songwriter based in London. Giack takes the listener on a tour inside his mind, criticising society and discussing mental health, from love to loss. His first record 'Childhood Dream' (2016), financed by a crowdfunding, paved the road for 'Giack Bazz Is Not Famous' (2018) and 'Haikufy' (2019), a 30-tracks, 20-minutes album that started his personal protest against the unfair paying scheme of streaming platforms. Supporting The Ivors’ Academy and the Musician’s Union campaign #fixstreaming, in 2020 he released the 366-songs album 'Impression A.I.' with his side project The Royalty Instrumentality Project. Released: March 9th, 2018