The Spike Direction Effect, Bentley Hop
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The Spike Direction Effect, Bentley Hop

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How To Improve Your Stage Presence
06:39
How To Improve Your Stage Presence

https://www.facebook.com/samuraiguit​ https://www.twitter.com/samuraiguit​ Instagram @samuraiguitarist Snapchat @samuraiguit info@samuraiguitarist.com

Canadian Irish Dancers Perform Stunning Acapella
01:24
Canadian Irish Dancers Perform Stunning Acapella

FOLLOW US ON INSTAGRAM: https://bit.ly/3cMDyFL​ LIKE US ON FACEBOOK: https://bit.ly/36nA3Ev​ FOLLOW US ON TIKTOK: https://bit.ly/3cQhUQT​ALL BUSINESS ENQUIRIES/ Performances, Workshops, Videos: chris@fusionfightersdance.com

Basest22 - Bass Guitar Tapping (original)
03:08
Basest22 - Bass Guitar Tapping (original)

This song was inspired by "More Love" written by Victor Wooten that I also covered a few years ago. Most of this song is played by tapping with both hands. I hope you enjoy it!

Hairy London Episode 12
18:16
Hairy London Episode 12

Episode 12 of Hairy London by Stephen Palmer, read by RD Watson, an exclusive audiobook from Jeeni.

How To Improve Your Stage Presence
06:39
How To Improve Your Stage Presence

https://www.facebook.com/samuraiguit​ https://www.twitter.com/samuraiguit​ Instagram @samuraiguitarist Snapchat @samuraiguit info@samuraiguitarist.com


Canadian Irish Dancers Perform Stunning Acapella
01:24
Canadian Irish Dancers Perform Stunning Acapella

FOLLOW US ON INSTAGRAM: https://bit.ly/3cMDyFL​ LIKE US ON FACEBOOK: https://bit.ly/36nA3Ev​ FOLLOW US ON TIKTOK: https://bit.ly/3cQhUQT​ALL BUSINESS ENQUIRIES/ Performances, Workshops, Videos: chris@fusionfightersdance.com


Basest22 - Bass Guitar Tapping (original)
03:08
Basest22 - Bass Guitar Tapping (original)

This song was inspired by "More Love" written by Victor Wooten that I also covered a few years ago. Most of this song is played by tapping with both hands. I hope you enjoy it!


Hairy London Episode 12
18:16
Hairy London Episode 12

Episode 12 of Hairy London by Stephen Palmer, read by RD Watson, an exclusive audiobook from Jeeni.