The Sun Is Always Gonna Shine, by The Pull Of Autumn
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The Sun Is Always Gonna Shine, by The Pull Of Autumn
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Kelli Richards interviews slam poet Jamie DeWolf
Media visionary and superconnector Kelli Richards exclusive interview with slam poet Jamie DeWolf.Visit Kelli’s website (https://kellirichards.com) to sign up to her newsletter.Kelli Richards is a seasoned business development exec in digital media — especially in music tech — and a “swat team” strategist with a strong proven track record in identifying opportunities and driving a vision to life from concept to execution. As a ‘superconnector’ she has established long-term trusted relationships with stakeholders across the ecosystem including mainstream talent, content creators, media execs, tech innovators and leaders, brand execs and investors.
'Robota Dyyavola' (Original Short Story Narration)
Sometimes the darkest nightmares are the stories history tells us.
Kif Kif, by Hatem Karoui and Sabri Mosbah
Kif Kif, by Hatem Karoui and Sabri Mosbah
Pete Wyer - The Sky Beneath Our Feet
I knew I wanted to primarily use a 72-voice choir (or nine choirs of eight voices each) each with a separate speaker, spread over the wide area where there are live oaks. I also knew that I wanted these voices to evoke something of the world of those trees.
Kelli Richards interviews slam poet Jamie DeWolf
Media visionary and superconnector Kelli Richards exclusive interview with slam poet Jamie DeWolf.Visit Kelli’s website (https://kellirichards.com) to sign up to her newsletter.Kelli Richards is a seasoned business development exec in digital media — especially in music tech — and a “swat team” strategist with a strong proven track record in identifying opportunities and driving a vision to life from concept to execution. As a ‘superconnector’ she has established long-term trusted relationships with stakeholders across the ecosystem including mainstream talent, content creators, media execs, tech innovators and leaders, brand execs and investors.
Pete Wyer - The Sky Beneath Our Feet
I knew I wanted to primarily use a 72-voice choir (or nine choirs of eight voices each) each with a separate speaker, spread over the wide area where there are live oaks. I also knew that I wanted these voices to evoke something of the world of those trees.