Yijia Inside Story Interview at Victorious Festival
101 votes
Yijia Inside Story with Jeeni at Victorious Festival 2021, interviewed by EJ Salako
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How to get 1 million podcast downloads - with Kelli Richards
How to get 1 million podcast downloads, with Kelli Richards, digital media visionary. Visit Kelli's website (https://kellirichards.com) to sign up to her newsletter. Kelli Richards is a seasoned business development exec in digital media — especially in music tech -- and a “swat team” strategist with a strong proven track record in identifying opportunities and driving a vision to life from concept to execution. As a 'superconnector' she has established long-term trusted relationships with stakeholders across the ecosystem including mainstream talent, content creators, media execs, tech innovators and leaders, brand execs and investors.
African Chant - Garrett Jones
All of these takes were done with me holding the microphone like a dynamic junk stage mic... it was late and I didn't think I'd make a whole project but decided to go for it. Definitely rough, a good bit of reverb and effects added on the tracks to beef up the sound, but absolutely no pitch correction at all.
Tell Mama, by Zach Blues
Tell Mama, by Zach Blues
Paul Armfield - Fledging
Fledgling, by Paul Armfield
How to get 1 million podcast downloads - with Kelli Richards
How to get 1 million podcast downloads, with Kelli Richards, digital media visionary. Visit Kelli's website (https://kellirichards.com) to sign up to her newsletter. Kelli Richards is a seasoned business development exec in digital media — especially in music tech -- and a “swat team” strategist with a strong proven track record in identifying opportunities and driving a vision to life from concept to execution. As a 'superconnector' she has established long-term trusted relationships with stakeholders across the ecosystem including mainstream talent, content creators, media execs, tech innovators and leaders, brand execs and investors.
African Chant - Garrett Jones
All of these takes were done with me holding the microphone like a dynamic junk stage mic... it was late and I didn't think I'd make a whole project but decided to go for it. Definitely rough, a good bit of reverb and effects added on the tracks to beef up the sound, but absolutely no pitch correction at all.