Wife Priviledged, by The Hootz
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The Hootz - check out this great video on Wife Priviledged

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Elliott Randall – the world's greatest guitar player
18:36
Elliott Randall – the world's greatest guitar player

Jeeni Ambassador Dee Anderson's interview with Elliott Randall, GloTime.tv

James Gadson: The Original Detroit Motown Groove (Drums)
03:59
James Gadson: The Original Detroit Motown Groove (Drums)

James Gadson: The Detroit Motown Groove

booop - JoeSach
03:54
booop - JoeSach

'booop' is the debut track from multi-instrumentalist and producer JoeSach's 'instrumentals' playlist. This track takes inspiration from the work of Daft Punk.Born and bred in South East London, multi-instrumentalist and producer JoeSach combines many of his inspirations spread across multiple genres - from jazz to hip-hop to soul - to create his own unique sound.

African Chant - Garrett Jones
03:31
African Chant - Garrett Jones

All of these takes were done with me holding the microphone like a dynamic junk stage mic... it was late and I didn't think I'd make a whole project but decided to go for it. Definitely rough, a good bit of reverb and effects added on the tracks to beef up the sound, but absolutely no pitch correction at all.

Elliott Randall – the world's greatest guitar player
18:36
Elliott Randall – the world's greatest guitar player

Jeeni Ambassador Dee Anderson's interview with Elliott Randall, GloTime.tv


James Gadson: The Original Detroit Motown Groove (Drums)
03:59
James Gadson: The Original Detroit Motown Groove (Drums)

James Gadson: The Detroit Motown Groove


booop - JoeSach
03:54
booop - JoeSach

'booop' is the debut track from multi-instrumentalist and producer JoeSach's 'instrumentals' playlist. This track takes inspiration from the work of Daft Punk.Born and bred in South East London, multi-instrumentalist and producer JoeSach combines many of his inspirations spread across multiple genres - from jazz to hip-hop to soul - to create his own unique sound.


African Chant - Garrett Jones
03:31
African Chant - Garrett Jones

All of these takes were done with me holding the microphone like a dynamic junk stage mic... it was late and I didn't think I'd make a whole project but decided to go for it. Definitely rough, a good bit of reverb and effects added on the tracks to beef up the sound, but absolutely no pitch correction at all.