Draw The Line
163 votes
Draw The Line, written and performed by Gavin Davies
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Celebrity wrangler and superconnector Kelli Richards exclusive interview with Golden Globe Award nominated soap actor Lorenzo Lamas from Falcon Crest.Visit Kelli’s website (https://kellirichards.com) to sign up to her newsletter.Kelli Richards is a seasoned business development exec in digital media — especially in music tech — and a “swat team” strategist with a strong proven track record in identifying opportunities and driving a vision to life from concept to execution. As a ‘superconnector’ she has established long-term trusted relationships with stakeholders across the ecosystem including mainstream talent, content creators, media execs, tech innovators and leaders, brand execs and investors.
Woodwind Quintet No.1 (My Original Work, Whole Piece Version)
This piece was written as a contemporary music (the 1st and 3rd movement may be too old-school). Interestingly my composing sequence is ‘1st movement, then 3rd and 2nd’.So you may hear something completely new in the 2nd movement. Also the relationship between 1st and 3rd movement becomes closer.
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Kelli Richards interviews American soap actor Lorenzo Lamas, from Falcon Crest
Celebrity wrangler and superconnector Kelli Richards exclusive interview with Golden Globe Award nominated soap actor Lorenzo Lamas from Falcon Crest.Visit Kelli’s website (https://kellirichards.com) to sign up to her newsletter.Kelli Richards is a seasoned business development exec in digital media — especially in music tech — and a “swat team” strategist with a strong proven track record in identifying opportunities and driving a vision to life from concept to execution. As a ‘superconnector’ she has established long-term trusted relationships with stakeholders across the ecosystem including mainstream talent, content creators, media execs, tech innovators and leaders, brand execs and investors.
Woodwind Quintet No.1 (My Original Work, Whole Piece Version)
This piece was written as a contemporary music (the 1st and 3rd movement may be too old-school). Interestingly my composing sequence is ‘1st movement, then 3rd and 2nd’.So you may hear something completely new in the 2nd movement. Also the relationship between 1st and 3rd movement becomes closer.